Word: exorcistic
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...Exorcist stirred the black undercurrents of movies like these into a raging tide of levitating beds and spinning heads. Through all this, Linda Blair remained determinedly professional. The boomlet of satanic kiddie movies like The Omen has not entirely receded. Consequently, there has been a small reaction back toward the Shirley Temple style. Quinn Cummings' appearances in The Goodbye Girl and TV's Family stir memories of dear Bonnie Blue...
...Brink's legend has entertained people for more than 20 years now, and there's no reason to try to do anything more than that with the movie. Friedkin was not even a bad choice for the man to do it. Although he has a reputation from The Exorcist and The French Connection as a calculating director who stops at nothing to wrench an audience's guts, he also has done this sort of nostalgic tribute before. The Night They Raided Minsky's was a rollicking adventure about vaudeville in America. But since then Friedkin seems to have decided that...
There are, it seems, two William Friedkins. The famous William Friedkin, the one audiences love to hate, is the director of The French Connection, The Exorcist and Sorceror. He is a steely, at times brilliant cinematic technician who will heartlessly pull out any stop in the effort to make moviegoers squirm. The other, often forgotten William Friedkin is very different. He is a sweet fellow who once directed The Night They Raided Minsky's, a warm and eccentric tribute to the glory days of American vaudeville. With The Brink's Job, this second Friedkin returns, after an exceedingly...
Friedkin, who won an Academy Award in 1972 for directing "The French Connection," and directed "The Exorcist," said that filming the $12 million comedy "Brink's" was more difficult than filming a thriller. "You can make people react to a car chase," he said, but "comedy is a very ephemeral thing. It's hard to make an audience laugh...
...blow for blow with slam-bang editing and ; pounding musical score; he never give the audience a chance to catch its breath. What is intended to be operatic come out overblown and, at times, overacted Goldoni's Mom is so crazed she seems to have stepped out of Exorcist...