Word: exorcistic
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...months into his tour through Galilee, Jesus (to revert to his English name) managed to take his 12 best students and hide out with them for three long days. It was the first calm escape they had managed since his success as a healer and exorcist had kept them mobbed night and day by the helpless...
...three years before Burton released his next film--Beetlejuice. Yet another twisted tale, centering this time around a pair of "newlydeads," the Maitlands, played by Alec Baldwin and Geena Davis and the "bio-exorcist" (Michael Keaton) they hire to clean out their home of its new yuppie occupants. The film, despite (or perhaps owing to) its weird atmosphere, unusual characters and occasionally cheesy special-effects, was yet another success for Burton, and he was then tapped by Warner Brothers to direct their biggest project at that time--Batman...
...surprise, surprise, it was sold out--so I settled for tickets to the Kevin Bacon scream-fest Stir of Echoes. I have no idea how this one slipped through the cracks. Without a doubt, it's the scariest thing I've seen since the old-time psycho-horror flicks (Exorcist, Psycho, Rosemary's Baby, etc.). Bacon plays a working stiff who dares one of his wife's friends to hypnotize him. It turns out to be a costly move--he finds himself hallucinating 24/7, besieged by images of ghosts. Sounds hokey, but The Sixth Sense is fluff next to this...
Some of the projects (The House on Haunted Hill, with Oscar-winner Geoffrey Rush, and Jan de Bont's The Haunting) are remakes. Others recall The Exorcist, Jaws, Rosemary's Baby. But that conservatism simply underlines the urge of top filmmakers to rediscover an honorable American tradition: the tale of psychological terror. Invented by Poe, mastered by Melville, Ambrose Bierce, Henry James, H.P. Lovecraft--and branded forever on film by Hitchcock--the horror genre is too important to be left to the kids. It speaks to every doubt and guilt we silently carry; it lends a seductive form to fear...
...problem with George and Steven [Spielberg] is that they've created these well-made megamovies that are basically B movies," Lucas observes. "Jaws, they say, was just a big horror movie. Star Wars is just a big sci-fi film. That our films are not like The Exorcist, The Godfather and the great films of the '70s. Well, they were B movies too. And Gone With the Wind was just a soap opera." Lucas thinks of himself as a Marin County rebel against the Hollywood empire, in a cadre of Bay Area filmmakers that includes Francis Coppola, Philip Kaufman...