Word: expected
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Dates: during 1970-1979
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...more than a small fraction of the base price, are supposed to be applied solely to specially attractive crudes, such as Nigeria's and Libya's low-sulfur oil, which is now much in demand for refining into gasoline. Veteran observers of past OPEC behavior expect the differentials soon to be turning up as part of the price for almost any grade of cartel crude. As a portent of things to come, the Algerians announced that they would immediately start charging the top dollar possible...
...American population as a whole, and the number of Vietnamese refugees on welfare has steadily declined. According to the study, 71% of the families now have incomes of at least $800 a month. But for the boat people, all that lies in the distant future. The most they can expect now is a sort of least common denominator of human life: a stretch of sand on which to beach a leaky boat, and the prospect, however remote, of a new life in an alien land...
...able and popular journalist in his ten years at Newsweek, first as national affairs editor and later as managing editor. Before that he had spent five years as an NBC public affairs executive and ten years as a writer, correspondent and editor at TIME. At Newsweek he is expected to steady both the editorial product and declining office morale. In a chatty, upbeat memo to the staff, he promised "some changes in tone, emphasis and operating style." Given his age and Graham's habit of replacing executives unexpectedly, Bernstein may turn out to be a caretaker appointee-"like bringing...
...have never married climbed from 10.5% in 1960 to 18%. Since 1970 the number of families headed by a woman rose 43%, from 5.6 million to 8 million. Divorce is now so common, the report added, that nearly half of all children born today can expect to spend a meaningful portion of their lives before age 18 in single-parent families. The report did not speculate on what psychological effects that may have on the young...
...works in all media, from paintings to agitprop posters, from architectural drawings to teacups and chess sets-put the center's director, Pontus Hulten, at a disadvantage in bargaining. The Russian side of the show is wholly chosen and catalogued by Soviet experts, whose essays (as one might expect) gloss over the brutal fate of the culture they discuss and, as art history, are not pitched at the level of scholarship a European audience feels entitled to. But it is the work that counts, and must be seen, in all its energy and episodic magnificence: a vast panorama, from...