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Word: exploitable (lookup in dictionary) (lookup stats)
Dates: during 1990-1999
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Usage:

Harvard's best chance to exploit the extra space came in the third period on a rare four-on-four situation. The Crimson did not let such an opportunity pass it by. Jason Karmanos followed up on a Henry Higdon wrap around shot to tie the game...

Author: By Bradford E. Miller, SPECIAL TO THE CRIMSON | Title: Crimson Finds Acres of Ice in New Towse Arena | 11/22/1995 | See Source »

...expected from any devoted widower, O.J. has visited Nicole's grave since his release. However, the top secret photos taken by the National Enquirer at the time of the visit show that O.J. neither brought flowers nor wept. No doubt the folks at the Enquirer are continuing to exploit this case just as much as every other publication, but they might just be onto something...

Author: By Corinne E. Funk, | Title: O.J.'s Halcyon Days | 11/7/1995 | See Source »

...morally instructive tragedy here, just a hard lesson in postmodernist outlawry and its sad little anarchies. Writer-director Mike Figgis (Stormy Monday, Internal Affairs) places a few opportunities to arrest their course along this pair's path, but Ben and Sera don't notice them, and he refuses to exploit them for dramatic purposes or even for ironic effect...

Author: /time Magazine | Title: CINEMA: DEAD DRUNK | 11/6/1995 | See Source »

...book Beyond the Ivory Tower, then-Harvard president Derek C. Bok wrote, "The great majority [of people] are concerned that programs to exploit technological development will confuse the university's central commitment to the pursuit of knowledge and learning by introducing into the very heart of the academic enterprise a new and powerful motive--the search for commercial utility and financial gain...

Author: By Douglas M. Pravda, | Title: Conflicting Connections? | 11/1/1995 | See Source »

...Boston Phoenix's Peter Keough considers the series exemplary of films that "explore rather than exploit sex and violence." After-film talks will provide the opportunity for audience members to begin to untangle this certainly debatable distinction. But perhaps the question of whether the films exploit their subjects at the expense of deeper meaning is less interesting that how the works make us feel. Emotion, rather than the intellect, seems to drive both proponents of risky cinema and its detractors...

Author: By Nicolas R. Rapold, | Title: Screening the FORBIDDEN at the HFA | 10/26/1995 | See Source »

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