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Word: exploitatively (lookup in dictionary) (lookup stats)
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...first time since Edison cranked up his Kinetograph and recorded Fred Ott's Sneeze, the way lies open to a free exploration of the full possibilities of cinema as an art. The possibilities are clearly immense. No other art can so powerfully exploit the dimensions of time and space. No other art has so many ways of involving a human being. It involves his eyes, ears, mind, heart, appetites all at once. It is drama, music, poetry, novel, painting at the same time. It is the whole of art in one art, and it demands the whole...

Author: /time Magazine | Title: Cinema: A Religion of Film | 9/20/1963 | See Source »

...LeMay. "And one of the things that I don't like is that, if this is true and they do know more than we do, they may know something that is vital. They may be able to pick up a weakness in our defense system that they can exploit." Insisted LeMay: "There are risks and no amount of talking is going to make them go away." But he had gone along with the other Joint Chiefs, said LeMay, because, "I think that the risks can be held to man ageable proportions...

Author: /time Magazine | Title: Defense: Despite the Doubts | 9/13/1963 | See Source »

...poor company when they put their trust in certain mutual funds. The SEC's 65 special investigators documented what the industry's leaders have known and tolerated for a long time: fund buyers are often overcharged, fund salesmen are usually undertrained, and fund executives sometimes exploit their inside information for personal profit...

Author: /time Magazine | Title: Wall Street: Mutual Disenchantment | 8/16/1963 | See Source »

...full of pleasing harmonies. "What intrigues me is the secret of color relations. The excitement of this has never ceased, and perhaps that is what keeps me going," he says. And: "Nature has provided for youth to scale heights and break walls. It is for the old to exploit what has been gained...

Author: /time Magazine | Title: Art: Shadow of the Bridge | 8/2/1963 | See Source »

...including the Don Juan in Hell scene it would seem that Director Joseph Everingham was striving for a philosophical reading of the play. But while concerned with Shaw's thought, Everingham has not forgotten Shaw's wit; he has clearly attempted to exploit all the obvious opportunities for laughter. As a result, the Harvard production is part farce, part serious philosophy. The two approaches sometimes jar. There is little subtle comedy to bridge the two moods, and the actors and their audience have trouble making the transition...

Author: By Joseph M. Russin, | Title: `Man and Superman' at the Loeb | 8/2/1963 | See Source »

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