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...also infused much needed capital and resources into Binghamton's baby to expand its global footprint. Since the takeover in May 2003, McIntosh's export business has boomed; nearly half its retail is now outside the U.S. Mac sales have increased 59%, while production costs have decreased 11.5%. The net effect: gross profits are up a stunning...

Author: /time Magazine | Title: A New Tune for High-End Audio | 2/29/2008 | See Source »

...that Abdullah's critics aren't trying. Yes, farmer's incomes have increased, they say, but so has the cost of living, particularly in urban areas. Furthermore, a U.S. recession could upset Malaysia's export-led economy. Meanwhile, the Chinese and Indian populations are speaking out against a national affirmative-action plan that favors Malays in everything from education to government contracts. Indians, who are Malaysia's poorest ethnicity, are so frustrated that they have marched by the thousands in Kuala Lumpur in recent months. "We respected [the National Front] for a long time, but they haven't helped...

Author: /time Magazine | Title: Lowered Expectations | 2/28/2008 | See Source »

...space of conventional science fiction. Instead, he began to explore the "inner space" of everyday culture that was being shaped by consumerism, T.V., sex and celebrity - most of it American. The psychotic hero of his provocative, experimental novel The Atrocity Exhibition (1969) stumbles through chapters like Love and Napalm: Export U.S.A. and You: Coma: Marilyn Monroe. The character's own sense of reality seems to crumble along with the last vestiges of novelistic realism...

Author: /time Magazine | Title: J.G. Ballard: The Emperor of Shepperton | 2/27/2008 | See Source »

Unsurprisingly, having endured the Rutelli campaign, even museums that may have once played fast and loose have tightened their practices. But curators and museum directors complain that cultural-property laws prevent virtually anything from being exported lawfully, guaranteeing a continued black market even if museums don't take part in it. And they're exasperated by demands to return objects that entered their collections many years before the adoption of laws that bar their export. "We've acknowledged that some claims are reasonable," says Michael Brand, director of the Getty Museum. "But if you start claiming everything, it becomes impossible...

Author: /time Magazine | Title: Who Owns History? | 2/21/2008 | See Source »

Site destruction--and the consequent loss of knowledge--is a cultural disaster for everyone. But is prohibiting almost any lawful export the best way to protect sites? Despite the spread of cultural-property laws, looting is on the rise. "The laws have failed," says James Cuno, director of the Art Institute of Chicago and author of the forthcoming book Who Owns Antiquity? "What they are doing is driving this material underground into black markets...

Author: /time Magazine | Title: Who Owns History? | 2/21/2008 | See Source »

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