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...composite hero of the monomyth is a personage of exceptional gifts," wrote Campbell in The Hero with a Thousand Faces. "Frequently he is honored by his society, frequently unrecognized or disdained." From misfit Max, to a piglet who thinks he's a sheep, and a penguin who can't express himself through song, only dance, the stories remain essentially the same. "There's no difference between Happy Feet, Babe and Mad Max," Miller insists...

Author: /time Magazine | Title: Rare Bird | 1/3/2007 | See Source »

...European Carnival tradition, which was beginning by the 16th century to spill over into riots or uprisings even against the powers that be. Or the slave rebellions of the Caribbean in the 19th century, which suspiciously oftentimes coincided with Carnival. The people were using these occasions to express protest or rebellion...

Author: /time Magazine | Title: Hard-Wired to Party | 12/29/2006 | See Source »

...Living in Palm Springs, Calif., where the Betty Ford Clinic for addiction rehabilitation is located, the ex-President filled his private life with golf and lucrative board memberships (Shearson/American Express, the Beneficial Corporation of New Jersey, 20th Century Fox). He also shared a number of investments with millionaire Leonard Firestone. In 1996 BusinessWeek said Ford's personal fortune stood at roughly $300 million...

Author: /time Magazine | Title: Gerald Ford: Steady Hand for a Nation in Crisis | 12/27/2006 | See Source »

...then the two police chases (unlike O.J.?s, J.B.?s were naturally high-speed) and the assault complaints lodged by various wives and other women - and ponder the connection, in the life of an performer or pro athlete, between adrenaline-fueled excellence in his career and the need to express his anger with his fists. But I?ll leave those speculations to the psychologists...

Author: /time Magazine | Title: Appreciation: James Brown | 12/26/2006 | See Source »

...trepidatious about it. You could have two people who have their own ideas. It could even be a problem if they have the same idea and express them differently. I talked to them about that and they assured me that it was not going to be an issue. They felt a sense of unanimity. I loved the script so much that I just felt that I had to trust them. They ended up being very easy to work with and it was as congenial set as I've ever been...

Author: /time Magazine | Title: Q&A with Alan Arkin | 12/21/2006 | See Source »

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