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...were. There were some people in their late 30s, some people in their early 20s. The music that was playing was a kind of soft rock, pop, instrumental music. Their campaign was about legacy, "We've been selling great-fitting jeans for 40 years." Then I walked into an Express store. The music was up-tempo and hipper. It wasn't edgy, but there was a lot more bass. Instead of legacy sales, it all had to do with trend. The layered look is very in right now; by selling things that go together there is a much greater chance...

Author: /time Magazine | Title: Shoptimism: Why We Buy Things | 11/5/2009 | See Source »

When the check arrives at the Patpong Thai restaurant in Chingford, England, Reg Burrows usually pays with plastic. But Burrows, the owner of an industrial-storage-supply firm, doesn't pull out Visa or American Express. He pulls out Bartercard. As a member of the Bartercard trading network, Burrows receives "trade pounds" instead of cash whenever his firm, Global Equipment Trading, works for fellow Bartercard clients. He can then spend that credit at any of the 75,000 member businesses around the world, including Patpong Thai, where he frequently entertains clients. So far this year, Burrows has exchanged around...

Author: /time Magazine | Title: Bartering: Have Hotel, Need Haircut | 11/2/2009 | See Source »

...read this sentence, some 300 million e-mails will be sent and received. On average, Americans spend more time reading e-mails than they do with their spouses. E-mail has become, he argues, "our electronic fidget." In his history of mail from cuneiform tablets to the Pony Express to Gmail, Freeman traces how far the epistolary form has come--and lays out a case for why we should take a step back. E-mail might be cheaper, faster and more convenient, but its virtues also make us lazier, lonelier and less articulate. The author's solution: Go easy...

Author: /time Magazine | Title: The Skimmer | 11/2/2009 | See Source »

...more silly than shocking, but when they work, Leaf causes the distress the play wants. Toward the middle of the play, Corday whips Sade under his own request. No real leather is used (Jakim sets her hair to the task), but Jampol’s grimaces and cries express such a mix of pain and pleasure that it is hard to believe that no one is getting hurt. Standing, arms and legs outstretched in the middle of the prison, she is at once physically bound and liberated in her speech. “Now I see where the revolution...

Author: By Madeleine M. Schwartz, CRIMSON STAFF WRITER | Title: ‘Marat’ Overflows with Potential | 11/2/2009 | See Source »

...struggling to express Sufism, and I felt that the photographs were not enough,” the artist says. “I wanted to express the emotional experience, and that’s where the art came...

Author: By Meredith S. Steuer | Title: Middle Ground | 10/30/2009 | See Source »

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