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Word: expression (lookup in dictionary) (lookup stats)
Dates: during 1950-1959
Sort By: most recent first (reverse)


Usage:

...team's chances. Left hander Gerry Emmet, out of action so far this spring with a sore arm, was throwing hard in yesterday's practice, and his return to the active list would solve many of Shepard's worrisome pitching problems. Shepard's, "Boy, it looked good!" seems to express everyone's reaction to Emmet's recovery...

Author: NO WRITER ATTRIBUTED | Title: Nine to Meet Penn Today | 4/24/1959 | See Source »

...talking about, it is worth singing about. That doesn't mean singing takes the place of thinking. It is irresponsible to sing without thinking, just as it would be irresponsible to make love without thinking. I also think it is wrong to have thoughts and not be able to express emotion...

Author: By John R. Adler and Paul S. Cowan, S | Title: The Incorrigible Optimist | 4/22/1959 | See Source »

...public hostility toward Germany in Britain-a feeling first revealed by the chilly reception that British crowds gave West German President Theodore Heuss during his state visit to England (TIME, Nov. 3). Unforgivingly, the Chancellor has kept track of anti-German blasts in Lord Beaverbrook's Daily Express and the tasteless comments of Daily Mirror Correspondent Cassandra (William Neil Connor)-who last week compared Adenauer's attitude on Berlin negotiations to "the rigidity of Hitler at Munich...

Author: /time Magazine | Title: THE ALLIES: Moment of Candor | 4/20/1959 | See Source »

...Wright was 40, and at the peak of his career. His Larkin Building in Buffalo had pioneered air conditioning, introduced the first metal-bound plate-glass doors, the first all-steel office furniture; with Unity Church in Oak Park, he had invented a whole vocabulary of cubist forms to express a new building material, poured concrete. Publication of his works in Europe created a sensation...

Author: /time Magazine | Title: Art: Native Genius | 4/20/1959 | See Source »

Even the greatly reduced string ensemble in Bach's C-minor concerto (no. 1) for violin and oboe often failed to express the grace and flexibility in this lovely music. The soloists were the winners of the orchestra's concerto contest: John Austin played a rather discreet fiddle, which was occasionally overwhelmed by the powerful oboe playing of Carl Schlaikjer; nevertheless both parts were very well done. The other competition winned was E. S. Stewart, whose Variations on a Melody won the contest for undergraduate compositions...

Author: By Edgar Murray, | Title: Harvard-Radcliffe Orchestra | 4/18/1959 | See Source »

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