Word: expression
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Dates: during 1950-1959
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...Eisenhower Administration move first on tax cuts; the longer Ike waits, figure Democrats, the more laggard his party will appear; then 2) bump all Republican bets with a whopping Democratic tax slash aimed mostly at relief for middle-and lower-income workers, i.e., most U.S. voters. Meanwhile, the Democratic Express could roar down the tracks with a highballing series of antirecession spending bills-and Republicans could grab onto the caboose as best they could. Items: ¶ The Senate shouted through a Lyndon Johnson resolution calling upon the Administration to speed public-works spending on previously authorized projects. The vote...
...sons from generation to generation." As consolation, ex-Queen Soraya gets a $67,000 settlement, an annual allowance of reportedly $48,000 until she remarries, permanent possession of several million dollars' worth of jewelry bought for her by the Shah, and the honorary title of "Princess" to express the Shah's "appreciation of her sacrifices...
...TOURIST SPENDING will top last year's record $1.9 billion. American Express reports 660,000 Americans will visit Europe alone-10% more than in 1957-and hotel bookings are running as much as 50% ahead. Paris expects 420,000 dollar-laden American visitors, Brussels 400,000 (thanks to world's fair), Rome 313,300, London 300,000, Amsterdam and Madrid 210,000 each...
...widely from region to region, it was not a big local story for all newspapers. But in many of the cities where unemployment was heaviest, editors ranged uneasily from boosterism to ostrichism. In Los Angeles, where layoffs have idled nearly 6% of the work force, Hearst's Herald & Express whooped: ROSY L.A. ECONOMY SEEN. In Detroit, some of the big auto plant shutdowns have landed in the back pages. In New England, most publishers admit privately that they are worried about business conditions, but, says one news executive, "you'll never read a line of what they...
...canvases are huge-up to 17 ft. long-and show somber blacks and greys on white, shades of fuchsia and ochre in thinly applied paint. The designs are utterly abstract: looping, recurving spirals and disturbed, bulbous forms. They have haunting titles: e.g., Visitation, Listen. They mostly seem to express death-haunted themes that, Lee Krasner says, make it "hard enough for me just to accept my own paintings." But they also strike a lonely note of hope: one of them is entitled Birth...