Word: expression
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Dates: during 1950-1959
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Hope I am just one of the many Roman Catholics who will take time to write and express their anger after reading the March 25 review of Heaven Knows, Mr. Allison. Has your editor been seeing so many bad movies he doesn't like them to be decent anymore...
...part of the mute boy, Toby, was written for a performer who must combine the abilities of dancer and mime. Eugene Gervasi distinguishes himself in both capacities. He quite brilliantly manages to make his body and hands express the boy's desperate eagerness to speak, and, what is perhaps more difficult, project his love for the medium's daughter...
Perhaps more than any other American author of stature, Wolfe seemed to feel a complex love for and desire to express the spirit and meaning of America, and particularily the part from which he came. He never seemed to have escaped boy at heart (who p the attitude that he was just a small-town boy at heart (who just happened to read Joyce on the side, as well as Greek, Latin, French, and German) being taken advantage of by wily city slickers. But his real sensitivity and concern for the land itself--although one may disagree with his views...
...Jacques Lipchitz, 65, who was born in Lithuania, came to the U.S. from France in 1941 (and became a citizen two weeks ago), falls somewhere between Lardera and Manzu. He has long since left his cubist period behind, and his work has become much more lyrical and expressive. Since his early days, Lipchitz has liked to shape his ideas in wax or clay, then cast them in bronze or transfer them into stone by hiring a stonecutter to do all the work except the finishing touches. His latest work, on exhibition last week at Fine Arts Associates, is a series...
...southwest France. Part of his latest harvest: his superb pastoral illustrations for Virgil's Eclogues (TIME COLOR PAGES, June 6, 1955). Today, at 81, the holder of nearly every award the art world has to bestow, Villon can sum up the goal he has largely achieved: "to express the perfume, the soul of things of which science only catalogues and explains the outward appearance...