Word: expression
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Dates: during 1960-1969
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...whatever he does, Ingmar Bergman will continue with all the force of his extraordinary talent "to express the current dilemma," which he sees as a religious dilemma. God's in his heaven, says Bergman, all's wrong with the world. Man needs a God much closer to home, a God within himself. "If God is not there, life is an outrageous terror" ruled by fate, which has "no answers, merely appointments." Nevertheless, "nobody can live with Death before his eyes, and the knowledge of the nothingness of all things." Life must have a meaning. But the search...
...another 15 years. She may not last that long as a teacher. But for as long as she stays on the job, Teacher De Long intends to give English composition the full treatment. Says she: "So much misunderstanding in the world is based on the inability of someone to express his true feelings to somebody else...
...World War II, when it began large-scale distribution to subscriber servicemen in military theaters throughout the world. Editions sprouted wherever printing facilities could be found, were delivered to military personnel in a variety of sizes and shapes. In 1941 we launched the first plane-delivered magazine, TIME Air Express, which later became TIME Latin America. In 1943 TIME Canada was founded...
...romance burgeoned without anyone outside the royal family being the wiser? Only last month the London Sunday Express solemnly intoned that it was "by no means certain" that Margaret would ever marry. When he went to stay with the royal family at Balmoral last summer and at Sandringham this winter, everyone concluded it was just a case of "Tony's taking some more of his pictures." In contrast with Group Captain Peter Townsend, whom Margaret renounced in 1955 because he was a divorced man, Tony Armstrong-Jones maintained total secrecy about his courtship...
...drums and cymbals ("Hit the snare at the rim and move gradually in towards the center," says the score at one point) to produce sounds as weird as anything in the world of electronic music. The first movement in last week's performance built to a climax with express-train power. The quieter second movement gained its effect from the almost somnolent alternation of the piano's sinuous theme with the whisper of a drum, the rasp of a snare, the tinkle of a triangle; the wildly fragmented third movement erupted in brief, craggy patterns stitched together only...