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Word: expression (lookup in dictionary) (lookup stats)
Dates: during 1980-1989
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Usage:

...white-knuckle express. Scott does straightaways at 110 m.p.h. and rarely corners at less than 65 m.p.h. The car seems to be flying out of control. Passengers are jerked around hard as Scott throws the Chevy into bootleg and J turns. Tires scream. Heads (and stomachs) spin. Everyone is scared witless. "This is hardball out here," shouts Scott in the understatement of the week, "but you'll be doing it in a few days." No way, each student groans to himself. But only 10% fail the course...

Author: /time Magazine | Title: In West Virginia: Drive for Life | 10/6/1980 | See Source »

...immigrants feel the inability to communicate just as poignantly outside their jobs. Jackie Kaminsky of the JFCS observes that "people's self-esteem is very tied in with how well they feel they can express themselves." One immigrant recalls her frustration with not being able to communicate with the people around her. "When I started to speak, I started to understand. This took more than a year. Without language, I couldn't tell anyone anything, I felt like a dog. But when I started to speak with people, I found that I often knew the same things...

Author: By Mark H. Doctoroff, | Title: From Leningrad With Love | 10/3/1980 | See Source »

...first series, seven houses designed in the years 1954-64, Hejduk has chosen a simple geometric shape, the square, to express the essence of his architecture, and he begins a search into the "generating principles of form and space." By starting with juxtapositions of basic relationships--of point, line, plane, and volume--Hejduk hoped to explore the themes of spatial expansion and contraction, of compression and tension, as well as the meaning of the architectural plan and section...

Author: By Lois E. Nesbitt, | Title: Unlocking the Tower | 10/1/1980 | See Source »

...himself as a film maker, very much like the Woody Allen we think we know, who finds himself in a creative culdesac. The film mixes memory and fantasy with the surreal-life present. Its visual style is a gloss on 8½'s: seductive black-and-white images, express-train pacing, a foregrounding of comic bit players. The three main women in 8½ (a mistress, a wife, an earthy guardian angel) find their echoes here in Charlotte Rampling, Marie-Christine Barrault and Jessica Harper. Allen also appropriates Fellini's strategy of deflecting criticism by placing...

Author: /time Magazine | Title: Cinema: A Comic Master Goes for Baroque | 9/29/1980 | See Source »

MasterCard will have to struggle. Five years ago, Visa introduced the first debit card, and last November it branched into traveler's checks. The checks have gained ground rapidly against the long-dominant American Express, partly because of the prominence of the Visa name. This year Visa expects to capture more than 10% of the market worldwide. Moreover, many bankers and merchants think that while MasterCard may carry clout, as its ads used to proclaim, Visa carries class. The name Visa seems to spell easy access, a door-opener around the world. Says one New York banker: "MasterCard...

Author: /time Magazine | Title: Business: Now It's the No-Credit Card | 9/29/1980 | See Source »

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