Word: expression
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Dates: during 2000-2009
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...latest attack underscores the "complete failure" of China's heavy-handed policies in both Xinjiang and Tibet. "We have to watch the government's reaction carefully," says Bequelin. "They shouldn't use this as an excuse to become even more oppressive. If people don't have the space to express the grievances they will be driven to support more extreme means of demonstrating their discontent...
Capitalism has improved the lives of billions of people - something that's easy to forget at a time of great economic uncertainty. But it has left out billions more. They have great needs, but they can't express those needs in ways that matter to markets. So they are stuck in poverty, suffer from preventable diseases and never have a chance to make the most of their lives. Governments and nonprofit groups have an irreplaceable role in helping them, but it will take too long if they try to do it alone. It is mainly corporations that have the skills...
...economic cycle. It's a response to the longer-term fact that too many people are missing out on a historic, century-long improvement in the quality of life. In many nations, life expectancy has grown dramatically in the past 100 years. More people vote in elections, express their views and enjoy economic freedom than ever before. Even with all the problems we face today, we are at a high point of human well-being. The world is getting a lot better...
...Kevin Eggan at the Harvard Stem Cell Institute and Christopher Henderson at Columbia University, the 13-person team reported online today in Science Express that they had generated motor neurons from the skin cells of two elderly patients with a rare form of ALS, or Lou Gehrig's disease, a progressive neurodegenerative condition. The new study marks an important first step on the road toward real stem-cell-based therapies, and also answers several plaguing questions about the pioneering stem-cell technique known as induced pluripotent stem cell, or iPS, generation...
Rado and Ragni were off-broadway actors and part of the downtown experimental-theater scene in the mid-'60s when they decided to write a musical that would express the new attitudes of the youth culture exploding around them: sexual experimentation, an openness to drugs, the rejection of middle-class values of all kinds and most of all a hatred for the Vietnam War. The creative process reflected this freewheeling, convention-defying spirit. To cast the show, Rado and Ragni scoured the streets of Greenwich Village for people with the right look. Early performances had an anarchic, anything-goes feel...