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I've heard Harvard professors define "postmodernism" in two ways which have seemed satisfactory. The first definition is that postmodernism is everything that comes "after modernism." This doesn't sound so great at first, but at least defining the word by associating it with a particular time constraint gives it...

Author: By Erwin R. Rosinberg, | Title: The Real Postmodern Dilemma | 11/25/1998 | See Source »

Surely there are ways that we can think about making educational reforms. Yet purging our souls of postmodernism is undoubtedly the wrong way to go about affecting change. We'll have to wait to see whether "postmodern" will prove to be a useful and enduring literary term. But Paglia's...

Author: By Erwin R. Rosinberg, | Title: The Real Postmodern Dilemma | 11/25/1998 | See Source »

The Black Swan pas de deux from Swan Lake was performed by principal dancer Paloma Herrera and soloist Giuseppe Picone. Traditionally a variation based upon technical strength and cool betrayal, the ballet did not disappoint the audience. Paloma is young, strong, has gorgeous feet and is technically superb. She does...

Author: By Christiana Briggs, CONTRIBUTING WRITER | Title: American Ballet Theater: Footloose And `Fancy Free | 11/20/1998 | See Source »

Pleasantville charms, and on the visual level, it dazzles. Half comedy, half fable, it flips the premise of The Truman Show, presenting a TV world made up of potential Trumans who need an outsider to help transform the fake into reality. Brother and sister are transported into the 50s television...

Author: NO WRITER ATTRIBUTED | Title: Brevitas | 11/20/1998 | See Source »

Emily Browder, a faculty member at the New School of Music in Cambridge, convincingly plays the charming Mattie Silver, Ethan's love. Her soprano voice conveys the lightness and beauty of her character, literally breathing fresh air into the opera. Emily perfectly captures the spirit of the naive Mattie who...

Author: By Marcelline Block, CRIMSON STAFF WRITER | Title: ETHAN FROME: N EVENING OF OPERA AT ELIOT HOUSE | 11/20/1998 | See Source »

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