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Even Valenti's critics would acknowledge the ratings system worked well for a while. X, belying its suggestion of toxicity, simply meant films for adults only. Most, like Medium Cool, were serious, intense, mature social studies; and one, Midnight Cowboy, won the Oscar for the best picture of 1969. But...

Author: /time Magazine | Title: What Jack Valenti Did for Hollywood | 4/27/2007 | See Source »

In Stardust, Pfeiffer plays a witch who sometimes looks 20 (at 49 the actress seems to have been instantly time-warped to her Scarface youth) and sometimes 200, with frown lines and liver spots popping up in seconds. "What I didn't anticipate was the horror of wearing all those...

Author: /time Magazine | Title: Movie Villains: So Bad They're Good | 4/26/2007 | See Source »

"If you can't find beauty in Manila, you won't find it anywhere," he quips as we later scarf Chinese takeout in his high-ceilinged Malate apartment. I find it impossible to disagree. Manila's aesthetic isn't perfect, and that's its attraction. There's an ironic local...

Author: /time Magazine | Title: The Bold and the Beautiful | 4/25/2007 | See Source »

Shutting down Imus is bad for women’s athletics, and it’s bad for free expression. Someone—however contemptible—lost his job because people would rather shut him up by firing him than by confronting what he said. But such suppression does...

Author: By Rebecca L. Zeidel | Title: Silence for Imus Misses the Point | 4/24/2007 | See Source »

Rebecca L. Zeidel ’06 was a history concentrator in Dunster House and a coxswain for Radcliffe Heavyweight Women’s Crew for four years. She is currently a member of the National Coalition Against Censorship and the American Booksellers Foundation for Free Expression.

Author: By Rebecca L. Zeidel | Title: Silence for Imus Misses the Point | 4/24/2007 | See Source »

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