Word: expressionist
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Dates: during 1990-1999
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Abstract expressionism, that image-destroying, paint-flinging whirlwind, held sway as America's -- and modernism's -- dominant style during the 1940s and '50s. Though its base was New York City, the abstract-expressionist ethos pervaded every artistic center in the U.S., including the San Francisco Bay area. There, during the late '40s, a flourishing local school had been influenced by the forceful presence of artist-teachers Clyfford Still and Mark Rothko...
...bold move that David Park, a young instructor at the California School of Fine Arts in San Francisco, made one day in 1949. He gathered up all his abstract-expressionist canvases and, in an act that has gone down in local legend, drove to the Berkeley city dump and destroyed them. Park had become disenchanted with abstract expressionism's strict, non-representational regimen. He wanted, as he put it, to stop producing "paintings" and start painting "pictures." Two years later, he submitted a clearly representational work, Kids on Bikes, 1950, to a competitive show -- and won, to the astonishment...
...figurative art was not merely guerrilla resistance to abstract expressionism but a genuine stylistic movement. As the guest curator, Stanford University's Caroline A. Jones, writes in the catalog, it gave Bay Area artists "a way of saving that which was still vital and dynamic in the Abstract Expressionist style and a way of moving forward...
...Francisco an exhibition recalls how local artists shook loose from the dominant abstract-expressionist style of the 1950s to meld it with traditional figure painting...
...free-flowing narratives found in the works of Latin writers like Gabriel Garcia Marquez and Carlos Fuentes. "Most Latin songs are about the guy who betrayed his best friend, or the women who left him, or saying let's party," explains Blades, who opted instead to paint an expressionist canvas that included blessed sinners and murdered priests, the cry of political revolt and the stifled silence between lovers. In Ojos de Perro Azul (Eyes of a Blue Dog), from the album Agua de Luna (Moon Water), Blades drew inspiration for words and music from the stories of his friend Garcia...