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Word: expressionist (lookup in dictionary) (lookup stats)
Dates: during 2000-2009
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...shorthand biographies of Watts and Kaprow reveal a commonality of experience if not direction: both began as abstract expressionist painters, both got master's degrees from Columbia, both collaborated on the Rutgers faculty. And both challenged traditional conceptions of art-Watts with his pop-like manipulation of media and surfaces and Kaprow in his experiments with assemblages, alternative spaces and performance art events which he called happenings...

Author: By John Hulsey, CONTRIBUTING WRITER | Title: Dada's Children: Fluxus Redux | 5/5/2000 | See Source »

...Memorable are two early paintings by Kaprow, both of which reveal his abstract expressionist training: "Hysteria," a visually assaulting assemblage of painted fragments and mirrors, and "Rearrangeable Panels," a series of nine wall-sized panels which have been presented in any number of concatenations. Though each panel is derivative of Robert Rauschenberg in painterly technique and choice of materials (plastic fruits, leaves, mirrors, colored lightbulbs), the piece as a whole reveals an attitude of Dadaist whimsy in the operation of chance, in the perpetual disruption of predetermined order. Also by Kaprow are a series of photographs and instruction sheets from...

Author: By John Hulsey, CONTRIBUTING WRITER | Title: Dada's Children: Fluxus Redux | 5/5/2000 | See Source »

...clear tour de force of the exhibit is the surprisingly complete array of work by Watts, including early drawings and paintings, mail-order newsletters and found objects. Just as Kaprow's early paintings revealed abstract expressionist beginnings, so too do Watts's "Blink" and "Monhegan" drawings...

Author: By John Hulsey, CONTRIBUTING WRITER | Title: Dada's Children: Fluxus Redux | 5/5/2000 | See Source »

...while--in the 1940s and '50s--Boston was associated with expressionism. St. Louis has great expressionist holdings. That in fact was associated with the man who left [St. Louis] and became the director of the MFA. He brought that particular interest with him to the Boston area, and it coincided with interests at the School of the Museum of Fine Arts. People like Max Beckmann had shows then, and Kokoschka. So at the Museum School in the late '40s and 1950s there was a strong identification of Boston with that expressionist tradition. But I think after this...

Author: By Kirstin Butler, CRIMSON STAFF WRITER | Title: Fresh Produce: Art from Boston | 2/18/2000 | See Source »

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