Word: expressionist
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Just as the architects' and designers' pioneering zeal seemed to give out, the enfants terribles Egon Schiele and Oskar Kokoschka (see following story) had their first shows of paintings in Vienna. Their intense, expressionist works did not flirt, like Klimt's gilded sultanic pictures, with bourgeois prettiness and what the catalog calls "proto-psychedelic sweetness." Schiele, who died young (in 1918, along with Moser, Wagner and Klimt), has been the subject of more passionate popularity than Kokoschka over the years: his images were the more earnestly pained and ugly. As Varnadoe writes, Viennese arts had lost their capacity for compromise...
...piece called Vienna: Lusthaus is heavy with that musky retro scent of doom and libido. The handsome stripped classicism of Loos and Wagner has clear echoes in the architecture of Michael Graves, Andres Duany and Mark Mack. Today as then, the hip bourgeoisie is overeager to embrace bratty, nihilistic expressionist painters. If the confident, public-works liberalism of the 1960s is our version of Vienna's 19th century Ringstrasse urban renewal, then Reagan is our reassuring figurehead Franz Josef. The Wiener Werkstatte? The firm of Swid Powell, for whom the most prominent architects design tableware. Turn-of-the-century Viennese...
...best paintings of our century. They belonged to Oskar Kokoschka (1886-1980), the visionary Austrian painter whose career spanned seven decades and not a few places of exile. Born in the world of the Emperor Franz Josef, he died in that of Reagan and Thatcher, just before the expressionist revival of the '80s took hold. Recent years have seen major shows of such expressionist masters as Ludwig Kirchner and Max Beckmann, and now the 100th anniversary of O.K.'s birth is marked by a retrospective at London's Tate Gallery. (The exhibition runs through Aug. 10, and will...
...only is my drinking rudely interrupted by thoughts of the angst-ridden early writings of pre-war female Ukrainian poets and the exact date of Kandinsky's first non-expressionist painting, but the same people who I dream of torturing in section are getting two extra weeks to screw up the curve. And you can be fairly sure they're not going to lend me the briefcase full of notes they recopied back home under the Christmas tree...
...tools and devices associated with expressionism"--but no more than that. He objects to being tagged as a neoexpressionist. "Whatever else it is about," he insists, "my work is not about the self. I want to get at something outside myself; one gets sick of looking at indulgent expressionist pictures that suck all the air out of the room." He prefers to think of his paintings as "diagrams that describe the way the world works," but one has to take this with a grain of salt. Actually, they come as much from minimal abstraction as from botany. The first time...