Word: expressionistic
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Dates: during 1970-1979
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...bolts, cleats and straps; the explicit logic of big practical structure. Pieces like Hankchampion (1960) are inseparable from that context. Its salvaged wooden beams, bolted together and strung with chain, are a homage to the plain speech of early industrial architecture. There is also a strong connection to abstract-expressionist painting. As James Monte points out in his catalogue essay, these weathered timbers were "a near-perfect analogue of the wide brush stroke in the painting of Kline and de Kooning...
...plates on an asbestos apron spread on his lap. In 1963-64 he was able to continue a series of bronze hands begun in 1958−fists, palms skewered by rods, fingers clamped to a balk of timber. These Rodin-like images of survival and defiance are full of expressionist anguish. As autobiography they are corny but moving. On the other hand, the earlier small steel pieces are generally disappointing. They seem clogged by graphic cliches and distended by a frustrated longing for bigness...
...composer at a time when tonality, the structure which had supported music for over 300 years, was finally sinking under the bloated burden of its own chromaticism into an anarchic morass. The ferment which resulted from the destruction of the old order gave rise to Schoenberg's great expressionist compositions like the sextet Verklarte Nacht, which seems to breathe in that decaying, sickeningly rich atmosphere, and Pierrot Lunaire, which for many is the ultimate expression of diseased, depraved emotions. Schoenberg drew creative sustenance from the advancing disorder of musical forms and he hastened its progress, until by 1916, he felt...
...fund of Bauhaus history. Instead, they're interested because the name connotes an austere functionalism in design that has infiltrated 1970s American life everywhere from typography to the mass-produced Marcel Breuer steel tubular chair. They'll wonder how this regulated style ever evolved from these 51 varied graphics--expressionist, primitive, whimsical. realistic, neo-classical, and architectural. And the Busch-Reisinger is not helping anyone by providing enlightening text or more visual information. No linear historical perspective adds to the horizontal historical sample of European...
...party hack, 'dutifully cranking out' paintings of social-realist cliches at the dictation of unnamed 'drillmasters.' No such body of work by Kline exists. To support his thesis, all Wolfe can produce is one picture from the 40s-and even it is too expressionist to fit the strict canon of social realism...