Word: expressionistic
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Dates: during 2000-2009
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...however. As early as the mid-1950s, inspired by Van Gogh and by the keen sunlight of Tangiers, where he was spending much of his time in a miserable love affair, he attempted to work in brighter colors and with looser brushwork. The result was a few congested, conventionally expressionist canvases. But the movement to a high-key palette also opened the way to the orange, lilac and pale beige backgrounds that make his work of the '60s and '70s so unnerving, precisely because the agonized figures struggle in such bright spaces...
...harris directed and starred in Pollock, a biopic of the Abstract Expressionist. Jackson Pollock splattered paint on canvas; Virgil and Everett splatter bad guys against the saloon wall. Their medium is an eight-gauge shotgun, but they're as dedicated to their craft as any other artist...
...Republic, and then The Nation, Manny built his caviar reputation. By now he was in New York, pursuing his three careers, befriending the right people in the Abstract Expressionist world and in magazine criticism. (Can't say whether he also hobnobbed with the top carpenters.) Like an assiduous upward-achiever, he was trying to get noticed; he didn't succeed enough to suit him. Even in his late collages, Manny was craving the attention of the art-critical establishment. A scrap on his painting Batiquitos reads: "Heaven to be noticed by Roberta Smith or [Adam] Gopnik...
...says. The result is Simon's 2007 book, An American Index of the Hidden and Unfamiliar, just awarded the International Center of Photography's Infinity Award. True to the book's title, the subjects are hidden and unfamiliar--a Palestinian woman undergoing hymen reconstruction, nuclear waste, the Abstract Expressionist art gallery at the CIA's Langley, Va., headquarters. The images alone may seem merely artful, but coupled with Simon's toneless captions, they fast become haunting. "The text anchors the images with cruelly defining weight," she says...
...paintings. "They're dense with visual information," Weber says, referring to a corpus that both chronicles the artist's bodily and sensory impoverishment, and offers a timely glimpse into a country that is itself a prison to millions of its citizens. In Htein Lin's crowded, largely expressionist scenes, skeletal figures cower in tiny cells, their gaping, hungry mouths sealed by bars. Some document prison rituals like body searches and work on chain gangs. One particularly haunting canvas, Six Fingers, alludes to the prisoners' practice of chopping off their own digits with spades. "If a prisoner didn't want...