Word: expressionistic
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...scrapes, even the claw marks of the grabs that hoisted the plates. And yet these traces, which one might think would be brutal, acquire--given the enormous scale of the pieces--a beauty that almost amounts to delicacy. The run and layering of red oxidation reminds you of Abstract Expressionist painting. More than that, it recalls nature itself: there are moments, particularly in the double-ellipse pieces, when walking between the rusty walls is almost like being in a red-rock gorge...
...history's great collaborations, he co-invented with Georges Braque--beget. The exception, since Picasso never painted an abstract picture in his life, was abstract art; but even there his handprints lay everywhere--one obvious example being his effect on the early work of American Abstract Expressionist painters, Arshile Gorky, Jackson Pollock and Willem de Kooning, among others...
...have ever made," he once said, "was made for the present and in the hope that it will always remain in the present. When I have found something to express, I have done it without thinking of the past or the future." Interestingly, he also stood against the Expressionist belief that the work of art gains value by disclosing the truth, the inner being, of its author. "How can anyone enter into my dreams, my instincts, my desires, my thoughts...and above all grasp from them what I have been about--perhaps against my own will?" he exclaimed...
...there anything sweeter than the perfectly executed hoax? DAVID BOWIE, novelist William Boyd and others nearly pulled one off with the launch of the first book from Bowie's new publishing venture. It's Boyd's biography of little-known Abstract Expressionist painter NAT TATE, who, at 31, committed suicide after meeting Picasso and Braque and destroying most of his work, except the painting above. At the book party, English journalist David Lister asked guests if they had heard of Tate. Many had. Bad call. After very little digging, Lister discovered that Tate, photo and all, was a fiction. Boyd...
Close, when a student at Yale, was enraptured by the work of the Abstract Expressionist Willem de Kooning: he loved his color and luscious paint surface, while realizing that they couldn't possibly be imitated. Imitating de Kooning was the bane of student existence: no originality could come of it. But Close, in his ruminative way, hankered after the paradise of the senses that de Kooning's touch represented, and it surfaces in the work that he had begun to do just before his paralysis in 1989 and was able to develop after his partial recovery. The dots and pixels...