Word: expressionistic
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...Juilliard String Quartet, after many performances of the works and a previous set of recordings, attacks each quartet with consummate skill and understanding. The musicians are warmly expansive in the romantic first quartet (1908), pungently Magyar in the second (1915-17), and harshly abrasive in the ugly, expressionist third (1927) with its abusive hammerings and pluckings, yawling glissandos and jerky rhythms. The strings sing again in the last three quartets, which in spite of some jagged polyphony, frequently dissolve into swaying melody. The result is an album of the finest chamber music of the 20th century...
...contemplation and study; and Rorimer's proudest statistic is that 32% of the museum visitors return as often as two to three times a month. Artists come in droves, as students to sketch everything from Renaissance Madonnas to abstract collages, as established painters to perfect. Dutch-born Abstract Expressionist Willem de Kooning, who haunted the Met as a young man, says: "The greatest thrill of my life is to walk from the Rembrandt rooms and find my Easter Monday hanging on the wall...
...Vinci is famous for one female smile, Whistler for his mother. Degas captured girlishness from gawky grace to the glamorous fall from it. "So why is it unusual that I paint women?" asks Willem de Kooning, at 60 the foremost U.S. artist still working vigorously in the abstract expressionist idiom...
Building His Dream House. The price De Kooning commands is not negligible. Last month one of his works reached an alltime high auction price of $40,000. With his peers in the abstract expressionist movement either dead, like Jackson Pollock and Franz Kline, or caught in a price slump, De Kooning finds his reputation still ascending. Last year he became the second painter (after Andrew Wyeth) to receive the President's Medal of Freedom, and presently finds dealers on both coasts bidding and jockeying for the honor of giving him a one-man show...
Died. Milton Clark Avery, 71, pre-abstract-expressionist painter whose studies of blocky, faceless figures and wispy, grey-green seascapes in the 1920s drew a blank with the public, yet so inspired such young artists as Mark Rothko and Adolph Gottlieb that he became a pivotal influence on them, even though he himself had to wait until the 1950s before his own primitivistic, relatively representational canvases finally brought as much as $10,000; after a long illness; in New York City...