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JENNINGS TOFEL-Zabriskie. 36 East 61st. The first exhibition since the death in 1959 of this protégé of Alfred Stieglitz takes a long look at the last 20 years of his career. During that time Tofel did not change much: he is always expressionist, always crowds his canvases with strange, misshapen humans and animals. His palette brightens, but the symbolism remains cloudy. Through March...

Author: /time Magazine | Title: Art: Art in New York: Feb. 28, 1964 | 2/28/1964 | See Source »

JACKSON POLLOCK-Marlborough-Gerson, 41 East 57th. The largest assembly-152 paintings and drawings-of the titanic American abstract expressionist ever shown under one roof (see ART). Through Feb. 15. At Griffin, 611 Madison Ave. at 58th: ten of Pollock's early, representational works, most of them painted in 1934. Through...

Author: /time Magazine | Title: Art: MIDTOWN | 1/17/1964 | See Source »

Abstract influence on the figure is found sensationally in a nude, raped, maimed Lavinia, daughter of Titus Andronicus, painted by Larry Rivers (for Show Magazine) to celebrate Shakespeare's 400th birthday. Willem de Kooning's Rosy-Fingered Dawn at Louse Point cocks the abstract expressionist's eye at nature. There is even the genial easel tradition in Raphael Soyer's portrait of his painting twin Moses...

Author: /time Magazine | Title: Art: The Weather Vane | 1/3/1964 | See Source »

...magnitude to show in color (see following pages). Some are well positioned: Sidney Goodman, 27, the boy Hieronymus Bosch of modern horror; Grace Hartigan, 41, who models her environment in color; John Hultberg, 41, vanguard California figurativist; Paul Jenkins, 40, maker of iridescent mental landscapes; Theodores Stamos, 41, abstract expressionist. And there are others who seek their own place in the zodiac...

Author: /time Magazine | Title: Art: The Weather Vane | 1/3/1964 | See Source »

...plot has something to do with a young speculator who arrives in Manhattan from Texas, buys the first taxicab he climbs into, snaps up a swank restaurant because his date likes to eat there, impulsively flies to Europe and hops right back with a grand collection of German expressionist art, finally shakes up the entire U.S. economy by promoting a more or less mythical company known as Universal Widget. Why? Why, because he is plumb crazy about a shapely security analyst, Lee Remick. Why else...

Author: /time Magazine | Title: Cinema: Standard & Poor | 11/29/1963 | See Source »

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