Word: expressionistic
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...Birches; second ($750), Social Realist Semyon Shimin, 55, for his Discussion Groups-Rome, sketched in Rome during the 1956 elections but finished in Manhattan; and third ($250), Milton Goldring, 40, also a New Yorker, for his Shadow and Substance. The predominant tone of the festival is abstract expressionist, and imitative of the leaders of that movement...
...show was organized by Signa's three painter-directors, John Little, Elizabeth Parker, Alfonso Ossorio, each of whom holds a respectable niche in the expressionist movement. "We thought of this theme," said Ossorio, whose Reconciler is one of the exhibit's highlights, "because we knew that among our group many were trying to put on canvas the very essence of human experiencing. That is what we mean when we say [as Pollock used to] 'to get into the painting.' There is nothing detached or eccentric about our work. It is a total commitment, and once expressed...
...summer is one of the most explosive and controversial art shows in decades. Called "The New American Painting" and financed by the International Council at Manhattan's Museum of Modern Art, the exhibition is the first long, mass look Europeans have had at the leaders of the abstract expressionist movement. Billed by its partisans as the first home-grown art movement to rate international recognition, "The New American Painting" is getting cheers from most younger painters, cries of outrage from many critics, nibbles from some collectors and a monumental amount of bafflement from the general public...
...without regard for what it communicates. The absence of any recognizable visual imagery has struck many critics and philosophers, like Theologian Paul Tillich, as a cult of meaninglessness, proof of "the emptiness of our existence in industrial society." Other critics have an entirely different perspective, see in the abstract-expressionist breakthrough the opening of a brave, new, unfettered world of art. Worcester Museum Director Daniel Catton Rich finds the movement producing "the most fruitful work being done in this decade ... a new, vital kind of American abstraction, pictures which in sweep, size and dynamics display typically American qualities. Beside them...
Empty or vital, art or droolings, U.S. abstract-expressionist painting has arrived and is not likely to be rubbed out. Most of the paintings submitted in art competitions in major U.S. art centers show strong abstract-expressionist influence. The interest and enthusiasm of young European artists or "The New American Painting" suggest that this influence is now being exported to Europe. Whether it will have force enough to break down the scorn of the unconverted critics and the bewilderment of the public is still to be seen...