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NEARLY half a century ago the modern art of Paris-the work of Picasso, Matisse, Brancusi et al.-was introduced to the U.S. at a Manhattan exhibition famed ever since as the 1913 "Armory Show." This summer the U.S. has sent to Europe a show of American abstract expressionist paintings that the sponsors consider, at last, the counterpart of the 1913 show. The abstract expressionists have made their impact on the U.S. art world (some collectors are willing to pay up to $30.000 for a drip painting by Jackson Pollock) and have already stirred up interest abroad (some European collectors...

Author: /time Magazine | Title: A Letter From The Publisher, Aug. 4, 1958 | 8/4/1958 | See Source »

...partisans of abstraction were equally upset. With U.S. abstract expressionist art shows now winning an international audience,-they feared that the U.S. at Brussels had been trapped into scattering its fire, was in danger of losing the initiative already gained. Art News Executive Editor Thomas B. Hess labeled the U.S. representation at the fair a comical scandal, lacking in seriousness. He called for an all-out showing of the serious abstract painters and sculptors who "in the past 15 years have exerted an international influence, from Japan to Rome...

Author: /time Magazine | Title: Art: AMERICANS AT BRUSSELS: | 6/16/1958 | See Source »

Dadaism. In London, Artist Pierre de Villiers, who failed to sell a picture for eight straight years at the open-air art show on the banks of the Thames, easily sold for five guineas ($14.70) an abstract expressionist painting by his three-year-old son Romany...

Author: /time Magazine | Title: Miscellany, may 26, 1958 | 5/26/1958 | See Source »

...sometimes uses photographs in painting nature-titled abstractions, readily admits that nature has long been an at-the-elbow companion. Says John Helicker, another abstractionist: "The best paintings I have ever done relate to the deepest feelings I have had about a place." But old-line Abstract Expressionist Adolph Gottlieb grimly dissents: "I never use nature as a starting point, I never abstract from nature, I never consciously think of nature when I paint. In the painting Red Sky, my intention was simply to divide the canvas roughly in two, using red paint in one area and black paint...

Author: /time Magazine | Title: Art: NATURE IN ABSTRACTION | 4/21/1958 | See Source »

Married. Robert Motherwell, 43, and Helen Frankenthaler, 29, both abstract expressionist painters; he for the third time, she for the first; in Manhattan. The phrase Je t'aime was featured in the titles of several of the groom's most recently exhibited canvases; e.g., in last year's Whitney annual his entry was called (in translation): I Love...

Author: /time Magazine | Title: Milestones, Apr. 21, 1958 | 4/21/1958 | See Source »

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