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Love That Corpse! The paintings by three of the other six artists in the show were picked by the Art Foundation's Alfred M. Frankfurter, who holds that the best U.S. paintings since World War II have been of the "expressionist" school. For Frankfurter, expressionism is a broad enough term to include both Hyman Bloom, who paints moldering corpses with the same loving intensity that Renoir applied to living flesh, and Lee Gatch, whose delicately tinted abstractions look almost like misty landscapes...

Author: /time Magazine | Title: Art: What's in Fashion | 6/12/1950 | See Source »

...picture had so shocked his contemporaries that they refused to exhibit it even in avant-garde shows. Ensor resolved to enjoy his masterpiece himself, hung it in an upstairs room and admired it daily. Publicly shown for the first time in 1929, it was hailed as a brilliant "expressionist" picture foreshadowing the works of Max Beckmann and Paul Klee. Connoisseurs clustered around the picture like cattle at a salt lick, but while he lived, Ensor refused to part with it. Last week it went for $40.000 to an Ostend casino proprietor named Gustave Nellens...

Author: /time Magazine | Title: Art: Shrill Entry | 5/15/1950 | See Source »

That conviction makes him impatient with "expressionist" painting that springs only from imagination. "An idiot surely puts himself into what he does," Marin says, and adds, "the high priest of art don't give a damn who did it." He has even less sympathy for "nonobjective" painters who substitute dead geometry for breathing life...

Author: /time Magazine | Title: Art: The Ancient Mariner | 1/9/1950 | See Source »

...oils on thin paper. Rose had long been regarded as a decorative, eclectic artist with a low emotional octane rating: overnight his new pictures established him as a force in British painting. Said London's Art News & Review: "This remarkable series of paintings is not romantic or expressionist, as are most Crucifixions, but may rather be described as liturgical, ritualistic, learned and arcane . . . executed with great resource and command of the medium." Describing Rose as "an artist who believes in both Christ and Picasso," the Catholic Herald went out of its way to "quell any suspicion that the painting...

Author: /time Magazine | Title: Art: Blossoming Career | 7/4/1949 | See Source »

...Jacob Lawrence, a Negro expressionist, wrote that the most important thing about art to him was not expression at all, but observation. "My long-term approach is an effort to develop the insight and personal philosophy I bring to my observation. I tried to do this in The Wedding...

Author: /time Magazine | Title: Art: Question & Answers | 4/11/1949 | See Source »

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