Word: expressionists
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...Broadway musical making its New England premiere at SpeakEasy Stage Company, where it will run through April 10. Unfortunately, the musical fails to deliver any illuminating observations on either numbers or life’s mysteries. An adaptation of Elmer Rice’s 1923 expressionist play of the same title, “Adding Machine” tells the story of Mr. Zero, a downtrodden worker whose life suddenly collapses. What follows is a visually bizarre, musically unpleasant, and theatrically uninspiring slog through various 20th century intellectual trends, a trek made only slightly palatable by an innovative...
...example, is a retrospective of 50 years of French animation. For those who find that too trifling a diversion, there's In the Attic, touted as a "Soviet-era allegory" by "legendary Czech stop-motion animation master Jiri Barta." No? How about the U.S. premiere of the German Expressionist film Little White Lies, which foreshadows the arrival of fascism through the microcosm of one school...
...Bauhaus way of thinking, geometric abstraction was the language of modernity, and the grid was one of its most powerful instruments, a formal system that could confine Expressionist excesses. In the catalog to the MOMA show, which was organized by curators Barry Bergdoll and Leah Dickerman, there's a color photograph of Gropius' righteously Cartesian office, with a right-angular chair resting on a grid-patterned carpet and a grid-patterned tapestry hanging on one wall...
...Goodman, has produced everything from major revivals of Eugene O'Neill and Arthur Miller to last year's Pulitzer Prize winner, Ruined by Lynn Nottage, while a growing roster of smaller off-Loop theaters have nurtured experimental works like 2007's critically acclaimed musical version of Elmer Rice's expressionist play The Adding Machine...
...which a holy man is depicted merging with the divine essence through yoga. Created by a Rajasthani artist named Bulaki, it jives uncannily with a contemporary aesthetic. The paint - real gold - hums with a depth and intensity that curator Richard Blurton compares to the work of 20th century abstract Expressionist Mark Rothko: "People today understand that a single panel of wonderful color can be thrilling." (Read Mark Rothko: Art of Darkness...