Word: expressionless
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Dates: during 1970-1979
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...movie, The Kids Are Alright and its soundtrack album don't nearly do justice to the band's legendary performing style. Peter Townshend plays his guitar by rotating his arm like a vertical helicopter blade; Moon grins and leers through drum solos; John Entwistle, like all bass players, stands expressionless. You can see all this in The Kids Are Alright; but you miss the music. For some reason, Jeff Stein--who put the movie together--chose a few very good film sequences and mixed them up, without any sense of order, with a lot of trashy ones...
...ineloquence, as though Piero della Francesca were visiting the nursery. In some way Chardin's absorption in the act of painting paralleled the absorption of children in their games, which he painted. One has only to look at the figure in his portrait Little Girl with Shuttlecock-the expressionless face and white shoulders jammed into the stiff bodice like an ice cream into its cone, the sequence of forms pinned together by accents of blue on her cap, her dress, her scissors ribbon and the feathers of the shuttlecock- to realize the truth of Rosenberg's insight...
...were to paint a picture of the devil, I would use the eyes of Ayatullah Khomeini. They are cold, calculating, cruel, cunning, void of love and honor. I'll take a big toothy smile any day to this man's hard expressionless stare...
...however, an actress. As any viewer of Charlie's Angels well knows, Fawcett-Majors gets into serious trouble every time she opens her mouth to speak. Giggling and shrieking fits aside, her voice is flat and expressionless; her face cannot convey any emotion other than blissful self-absorption. In Somebody Killed Her Husband, her debut as a movie star, Fawcett-Majors does not expand her range -only her wardrobe. This film proves that she can look just as swell fully dressed as she did in the scanty outfits of her hit ABC series...
Even though the real subject of Cunningham's dances is invariably movement itself, his choreography is by no means expressionless. Rather, the plot and emotional tone the audience perceives in the dances derives from the inherent expressiveness of the gestures, not from subject matter or program notes...