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Word: expressivity (lookup in dictionary) (lookup stats)
Dates: during 1960-1969
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Usage:

...paddyfields, through mountains and over highways last week streaked the world's fastest long-haul train, slithering like an ivory worm along the 320 miles of rail between Tokyo and Osaka. For the first full test run of Japan's $1 billion New Tokaido Line, the super-express Hikari averaged 80 m.p.h. and often went as high as 125 m.p.h. Crowds waved and cheered, highway traffic stopped to watch, and planes of newsmen circled overhead. Japan was greeting not only a new rail service but a symbol of the nation's postwar industrial growth...

Author: /time Magazine | Title: Japan: Fast Ride to Osaka | 9/4/1964 | See Source »

...Ryan's Express, Westheimer...

Author: /time Magazine | Title: Television: Aug. 28, 1964 | 8/28/1964 | See Source »

...unfortunate that you did not explore the opinions of those Catholic laymen who detest the false pride of men like Gushing and the Jesuits. These men are the Bing Crosby and Pat O'Brien type of priests, who use cliches and terribly bold words to express their supposed liberalism. The pseudo-progressive Jesuit colleges send forth a procession of professional security-conscious, noncreative graduates...

Author: /time Magazine | Title: Letters: Aug. 28, 1964 | 8/28/1964 | See Source »

...made for herself? Reaction to her so far has been politely cool. Says Maggie Daly, columnist for Chicago's American: "She looks like every well-dressed woman of means. She does not have any special flair." Observes Françoise Giroud, co-editor of Paris' L'Express: "Lady Bird is the sort of person quí ne provoque pas les sentiments-she does not evoke feelings. Who cares about a grey lady bird?" And in London, a BBC executive snorted, "She's so beige!" But Yolande Gwin, society editor of the Atlanta Journal, put it more...

Author: /time Magazine | Title: The White House: The First Lady Bird | 8/28/1964 | See Source »

...Guinovart, 37, is a Barcelona favorite who started with social realism, then did stage décor for García Lorca plays. The stocky artist turned to collages, attaching everyday apparel to his somber canvases. His Homage to Valdés Leal attempts to express the tremendous force of a 17th century artist in a volcanic surface that belches up actual objects...

Author: /time Magazine | Title: Styles: Iberian Resurgence | 8/28/1964 | See Source »

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