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...dean of the School of Forestry and Environmental Studies at Yale University and co-author of the 1993 book Redesigning the American Lawn, which is being reprinted in an updated version this month. Geballe in his book criticizes the "industrial lawn," composed only of grass and expunged of any extant weeds. He advocates the "freedom lawn," which allows a diversity of plants to crop up naturally. Since 1993, Geballe says he has witnessed an increased willingness to let lawns grow wild, as well as a greater appreciation of regional differences. "People are realizing that the Southwest is the Southwest...
...bind all the heavy beats and distortion together. That said, their new album Soundsystem doesn't actually break any new ground. It's your trusty old 311, complete with echoing vocal harmonies, staccato snares and spurts of laid back, good-natured rap. There's little innovation beyond the already-extant originality of their sound. Even worse, you won't find a catchy single like "Down" or "All Mixed Up" anywhere. That's unfortunate, because songs in that vein were easily the band's strongest material. The closest approximations to radio-friendly material are "Flowing" and "Strong All Along," which have...
...considered a building that has one of themost significant extant collections of crown glassanywhere," Zewinski said...
Because of financial difficulties during his lifetime and the initial lack of interest, very few of Wols's vintage prints exist. Those that are extant are often water-damaged or scratched. Because of the scarcity of originals, most of the prints displayed were made by photographic historians Volker Kamen and Georg Heusch in 1976. These contemporary prints replicate the state of the original negatives: minor scratches and imperfections are seen on the surface of most of the prints. The contemporary prints are framed by the black lines of the negative holder, reminding us that the artist, who would have...
...Because of financial difficulties during his lifetime and the initial lack of interest, very few of Wols's vintage prints exist. Those that are extant are often water-damaged or scratched. Because of the scarcity of originals, most of the prints displayed were made by photographic historians Volker Kamen and Georg Heusch in 1976. These contemporary prints replicate the state of the original negatives: minor scratches and imperfections are seen on the surface of most of the prints. The contemporary prints are framed by the black lines of the negative holder, reminding us that the artist, who would have...