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...intimidating specimen at 6’2”, 200 lbs., Schaffer’s exterior is belied by his goofy confidence—part star athlete, part class clown...

Author: By David Weinfeld, CRIMSON STAFF WRITER | Title: My Left Hand | 4/17/2003 | See Source »

Jones Professor of Classical Greek Literature Gregory Nagy suggested that the United States, like classical Athens, traditionally operates as a democracy internally and an undemocratic power on the outside. He said that the nation’s exterior politics are beginning to pervade its interior through the PATRIOT Act and related legislation...

Author: By Nathan J. Heller, CRIMSON STAFF WRITER | Title: Harvard Will Defend Rights | 4/9/2003 | See Source »

...building can almost be seen as having an inside-out plan, with interpenetrations of exterior and interior through both the design and the use of glass—both clear, as in the numerous large windows, and distorted, as in the glass blocks of the stairwell. At the center of the building is a cubic volume from which the curved studios spaces are hung on a diagonal axis. There is extensive cantilevering and a reliance on reinforced concrete to create large areas of open space. Unlike traditional structures, which rely on load-bearing walls, the Carpenter Center relies...

Author: By Zachary R. Heineman, | Title: Understanding the Carpenter Center | 4/7/2003 | See Source »

...modern building on the site. The new design—by the Boston firm of Leers Weinzapfel Associates—has a great deal of integrity. It is the non-concrete modernist building that the Square never had, with glass, aluminum, and terra-cotta combining to create a clean exterior that is elegant in its simplicity...

Author: By Zachary R. Heineman, | Title: The Next Carpenter Center? | 3/17/2003 | See Source »

While the exterior appearance of the collections may have remained relatively unchanged in the last ten years, the mission of the collections—and the science they support—has undergone radical evolution...

Author: By Ben A. Black, CRIMSON STAFF WRITER | Title: Museum Becomes Modern | 2/21/2003 | See Source »

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