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Word: exteriorizer (lookup in dictionary) (lookup stats)
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...wonder boys have no guts either. Far from being seriously involved in the material they shoot, they don't even take the trouble to punch a little action and detail into it. In visual direction this means the old Neo-Realist aesthetic, that looking at events in the exterior world has a certain necessary validity, is misapplied in a fiction-film context-so that it becomes sufficient to let the camera run in the barren studio set. This discourages work on the images themselves. The structure of a frame composition used to have some meaning in Hollywood. Nowadays shots refer...

Author: By Mike PROKOSCI I, | Title: The Moviegoer The Damned at the Cheri Theater | 3/4/1970 | See Source »

Through it all Henry retained a stoic but visibly worn exterior. Audiences who saw him as the President in Fail Safe or the Secretary of State in Advise and Consent thought his face showed lines of global tension. They were only signs of middle-aged fatherhood. "I knew those two children were going to be rebellious if their old man was suc- cessful at something and they decided to do the same thing," he sighs. "I had to hold my breath sometimes and not let it hurt too much...

Author: /time Magazine | Title: Show Business: The Flying Fondas and How They Grew | 2/16/1970 | See Source »

FULLER'S simplicity and directness come from his belief in the closeness, indeed inseparability, of interior and exterior experience. No bodily barrier can keep the events that assail a character from affecting his mind. Fuller's heroes live in situations involving the most extreme contradictions, the strongest contrary pulls on them. They remain forceful and decisive; Fuller doesn't represent the depth of social contradictions by detailing lengthy processes of decision, by creating vacillating characters. But contradictions take their toll on his tough guys after they decide what...

Author: By Mike Prokosch, | Title: The Moviegoer Shock Corridor at room 10-250, M.I.T., tonight, 8 and 10 p.m. | 1/19/1970 | See Source »

Insanity, the direct consequence of intolerable contradictions, is thus an objective fact, not a subjective claim on sympathy. We see the nightmares that plague the reporter's imagination and equally hear the cries of demented patients around him. Objective and subjective, exterior and interior experience become a single attack on his sanity. Fuller's direct way of showing his hero's experience is not crudely simplistic. We must be able to see everything that happens; the experiences of his characters have to be open...

Author: By Mike Prokosch, | Title: The Moviegoer Shock Corridor at room 10-250, M.I.T., tonight, 8 and 10 p.m. | 1/19/1970 | See Source »

...West Indian 42 yrs, old, at the age of 15 I became an apprentice and a journeyman at age 20. I migrated to England where I worked for several well-known establishments during which time I entered The British Institute of Engineering Technology to study Interior and Exterior Decorating and Painting, specializing in color pigments, marbleizing, staining, graining, etc., and was awarded a diploma upon completion, was made a member of the Institute for life enabling me to use the initials A.M.I.E.T. Also I have worked for several Union and Non-Union outfits in Boston and at one time operated...

Author: By Park Chamberlain, | Title: The Mail A PAINTER'S HELPER REPLIES. | 12/6/1969 | See Source »

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