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Word: exteriorizer (lookup in dictionary) (lookup stats)
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...interior overhangs make them fairly safe for children. There is visual privacy, though not the privacy that doors afford. The kitchen is to be built into one of the supporting pillars beneath. Radiant heating will keep the house snug. Storage space exists in abundance between the interior and exterior shells of the building...

Author: /time Magazine | Title: Art: Tough Prophet | 5/25/1959 | See Source »

...inexcusable that the Radcliffe Yearbook does not contain even one picture of the exterior of a Radcliffe building--not the Fay House gate nor Agassiz nor even a dormitory. And while the faculty is certainly a vital part of a Radcliffe education, devoting one-fifth of the total pages to the professors seems a bit over-generous...

Author: By Martha E. Miller, | Title: The Radcliffe Yearbook | 5/20/1959 | See Source »

...From International Swimming Pool Corp. (1958 sales: $12 million) this year has come a line of pools built above ground. Priced from $2,995 to $4,995, the pools consist of a thin, vinyl plastic sheet stretched over a plywood-and-steel frame that is supported by a Redwood exterior. The pools, named after Company President Esther Williams, are movable...

Author: /time Magazine | Title: MODERN LIVING: The Big Splash | 5/11/1959 | See Source »

Sick, Sick, Sick is for the most part realistic, personal, homely; cast in monologue (interior and exterior) and dialogue; set largely in offices, coffee houses, bars, apartments. But in Passionella, the shy young men, the pony-tailed girls, the woman who sings folksongs "in the original ethnic," the man who says, "What I wouldn't give to be a conformist like all those others," are replaced by a "friendly neighborhood godmother come [by way of a television set] to bring you the answer to your most cherished dreams," and by little Munro, who was drafted into the army...

Author: By Julius Novick, | Title: Passionella and Other Stories | 4/30/1959 | See Source »

Finally, Elias Kulukundis publishes The Gold Girl, a story which demonstrates a fine talent for telling neatly and quickly an arresting yarn. The subject of the piece the narrator, becomes involved, over the telephone, with a fantasy girl who sheds her anonymity but cannot pierce his almost inhuman exterior. Initially, the telephonic association of the pair seems implausible because it is such an appalling coincidence. Yet as she herself emerges as the subject of her own fantasy, the elements of the tale fall tidily into place, leaving the cold sensation of hard and real characters existing only as shatterproof shells...

Author: By Gavin Scott, | Title: The Harvard Advocate | 4/7/1959 | See Source »

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