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...gutted the ground floor and prepared to rebuild the entire six floors. Only the outside will remain the same. France's "Law on Historic Monuments" jealously prohibits tampering with the building's traditional façade; city officials refused even to let American Express sandblast its grimy exterior lest this make the nearby grimy Opéra look even dirtier...

Author: /time Magazine | Title: TRAVEL: Home Away from Home | 10/24/1955 | See Source »

...Corbusier designed the exterior of the church to create what he called "an acoustic component in the domain of form." Then he designed one outer wall of the church as an outdoor backdrop for large pilgrimage ceremonies. By using old brick left over from the previous church, plus concrete, Le Corbusier priced the new chapel...

Author: /time Magazine | Title: Art: Chapel in Concrete | 7/18/1955 | See Source »

Plastic-Coated Plywood. Crown Zellerbach Corp. of San Francisco has developed a weather-resistant plastic sheet that can be heat-bonded to plywood and painted. The fungus-resistant plastic, called CreZon, will be sold in rolls to plywood manufacturers, is expected to make plywood a practical exterior building material under all conditions. It will add slightly to the cost of untreated, top-grade plywood...

Author: /time Magazine | Title: GOODS & SERVICES: New Ideas, Jul. 18, 1955 | 7/18/1955 | See Source »

Welles is producer and director as well as starring actor. He shot his film in Venice and in French Morocco, where the frowning battlements of an 18th century Arab citadel at Mogador serve beautifully for the exterior scenes supposedly laid in Cyprus. Everything is done with great bravura style, from Orson's putting out a candle with the flat of his hand to a murderous shambles in a Turkish bath where Roderigo (Robert Coote) is trapped and killed, screaming beneath a slatted runway. When Welles strangles Desdemona, it is the most artistic strangling ever: he presses a silken scarf...

Author: /time Magazine | Title: Cinema: The New Pictures, Jun. 6, 1955 | 6/6/1955 | See Source »

...them, the forbidding exterior, the long dim lit halls, the closely packed display cases designed for study but not for showmanship-all fit the usual Harvard stereotype. Actually, there is not one museum but many, each with its own exhibition halls and staff. A few exhibits from a few these museums are shown on this page...

Author: NO WRITER ATTRIBUTED | Title: The University's Attic | 6/1/1955 | See Source »

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