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Residents are also still concerned about the appearance of the proposed Knafel building. Besides the building size issue, which is being addressed with the new two-building plan, many aspects of the layout and exterior surface of the building have yet to be resolved...

Author: By Imtiyaz H. Delawala, CRIMSON STAFF WRITER | Title: Harvard Sprawls Across Region | 1/19/2000 | See Source »

...also learns quite a bit more than medicine from Michael Caine's Dr. Larch. Caine perfectly embodies the Dr. Larch of the novel. Although he has a gruff exterior, Larch loves all of his orphans, especially young Homer. It breaks his heart when Homer leaves, but he never gives up--just like, you might say, a real father. His signature line, spoken to the orphans before bed, "Goodnight you princes of Maine, you kings of New England," belies an overly optimistic hope for the future all of his young ones, a love and faith that he passed on to Homer...

Author: By Andrew P. Nikonchuk, CONTRIBUTING WRITER | Title: Tobey: Irving Writes Own Rules | 12/17/1999 | See Source »

...Artschwagers sculptures look equally foreign; his wooden structures, built to resemble either furniture or boxes, would be highly unnatural in any environment. This commentary on interior and exterior (a la Rachel Whiteread), packaging and contents, and meaning in art, would be trite and dull if not for the sheer beauty and subtlety of the forms. There is a radiance and sheen to the light wood which fills these works with an uncanny ebullience and optimism. By carving out space where conventional forms would otherwise protrude, at the top of the bed, for instance, Artschwager complicates his works further. He negates...

Author: By Brooke M. Lampley, | Title: Visual Arts Brief | 12/10/1999 | See Source »

Jeff Koons' Rabbit (1986), a blow-up bunny cast in mirror-bright steel, is plunked down center stage, surrounded by works that date from the Wall Street boom of the '80s. Its cartoonish exterior basks in the shiny glare of its obviousness: here is our post-Pop world--little else than the distorted reflection of commerce, all chrome and gaudy light. And as you approach it, you too are caught in its surface: carnival-like and bloated, staring...

Author: /time Magazine | Title: Art: Creative Chaos | 11/22/1999 | See Source »

Designed by acclaimed Japanese architect Arata Isozaki, COSI is housed in a stark shell-like exterior that sits like a giant canoe across from downtown Columbus. Inside its purposely skewed interior walls (variously aligned to three different versions of north: true, magnetic and the local street grid's) are seven thematic areas called Learning Worlds. Within each, visitors are free to immerse themselves in scientific concepts that range from basic physics to advanced medicine. "One of the problems with all science centers is the 'Ping-Pong-ball effect,'" says Joseph Wisne, COSI's vice president for design and production. "Visitors...

Author: /time Magazine | Title: Kingdom Of Learning | 11/15/1999 | See Source »

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