Word: exteriors
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Dates: during 1960-1969
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Crushed Argument. There are other Bobbys within that slim, taut, toothy exterior. If Michael Harrington discovered America's poor, Kennedy adopted them ?not only in the urban ghettos, where the votes are, but also in the shacks of grape pickers, in the hillbilly hollers, along the rutted tobacco roads. He can communicate with the disinherited as few others of his race or rank are able to do. He can maul a William Manchester, then have the author serve as honorary chairman of a Kennedy for President club. He can be morose or merry, expansive or petty, merciless or magnanimous?...
...room by playing meditatively with the settings on a three-way bulb. Herba makes difficult things look easy; Stranger, for its effortless appearance, is remarkably stylized, proving an entirely successful blend of hand-held and static movement, zoom and fixed-focal-length photography, day-and-night and interior-and-exterior footage--a true synthesis which creates a film reality...
Kahn's solution is a pavilion roofed over with vaults. Visitors will first en ter a reception area, then pass under an arcade to the permanent collection, which will be composed initially of only 100 choice objects. The exterior walls of the museum will be solid for security reasons, but Kahn has made sure the interior will be light and airy. He picked the barrel-vault roof not for its classical associations but because of its structural strength. Such vaults can easily span 100 ft. between supports, allowing museum spaces to be open and flexible...
...rush-hour jams. Coming to work, staff members will be able to enter the lower or upper section of the cars from different lobby levels, depending on whether they work on odd-or even-numbered floors. Once at work, they will be protected from extreme fluctuations of exterior light or heat by deep gold glass mirrored to keep out most solar rays. This will also create a one-way view out during the day, while at night, bright interior illumination will permit the outside world an inside look...
...Russell's camerawork is frequently tantamount to cutting: he will start on a medium shot if Michael Caine, swing up to a sign on a building, down to people leaving the building, and back to Michael Caine--all so quickly we might have seen four separate shots. The interior-exterior point-of-view cutting in the scene where Palmer discovers the dead Doctor Kaarna reveals Russell's sophistication concerning standard devices, as does his tendency to cut to paintings and other background objects prior to introducing characters into the frame. The cross-cutting between a Moscow-bound train and Plamer...