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...Chemical Industries. ... In Manhattan's far-from-sombre Waldorf-Astoria Hotel, under soft lights, on soft rugs, with lyrical commentary, comely models in dazzling clothes: a special show of synthetic fabrics for the Congress of Industry. . . . The scenes were dissimilar but the purposes were the same: to extol the marvels of modern chemistry...

Author: /time Magazine | Title: Science: Marvels | 12/18/1939 | See Source »

...more affluent sisterhood convened in Chicago's conservative Palmer House for the first Finance Congress of Women. The Congress was sponsored by Women Investors in America, Inc., as bitter an enemy as the New Deal boasts. And from 18 states went female capitalists to extol the right of property, to exhort each other to defend their investments as they would their young...

Author: /time Magazine | Title: Business: Congress | 6/15/1936 | See Source »

With continual talk of politics and business drifting through the blue haze of Corona-Coronas, Committee of 100 meetings are not free from suspicions of babbittry. Last week the members heard Governor Scholtz extol Florida and Governor Brann extol Maine. Then, as representatives of a sizable slice of the nation's total un-redistributed wealth, they settled down to grumbling about the New Deal. Sample sentiments...

Author: /time Magazine | Title: Business: Millionaires' Talk | 10/14/1935 | See Source »

Good taste has been too often in years past a blind to camouflage insidious indifference. Long enough has Williams been merely a 'gentleman's college,' for lack of any more vital purpose. None of these outworn epitaphs of an intellectual graveyard does the "Record" intend to extol simply for their own sakes. It is high time that to the weedy, run-down sod we apply not a roller, but a plowshare, in the hope of encouraging some new and greener vegetation...

Author: NO WRITER ATTRIBUTED | Title: Yesterday | 3/26/1935 | See Source »

...represented, and by specimens which tend to be a persuasive, even if mute, testimony in an age of rampant modernism. In his well-written, though necessarily hurried, and even breathless, survey, Mr. Wickham pauses to inveigh against those modernist critics, who deprecate the masters of yore in order to extol "now a van Gogh, now a Picasso, now a Klee, now a Braque, now a Wadsworth, or now the art of the primitive Negroes or the Seljuka." That kind of criticism is indeed indefensible; one hopes, however, that Mr. Wickham, in his ardor to defend classicism against the enemy...

Author: By W. E. H., | Title: The Crimson Bookshelf | 3/19/1935 | See Source »

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