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...late twentieth century, however, the whole reality issue has become virtually fossilized. It is surprising, then, to discover that in The Day Room playwright Don DeLillo has managed to extract some delightfully fresh material from such an overworked vein...

Author: By Jeffrey J. Wise, | Title: STAGE | 2/26/1987 | See Source »

There's always overseas. Surely, you think, in some far off jungle somewhere there's got to be a Central American government ready to fall or a lost Amazonian tribe contacting God through a secret hallucinogenic toad extract. Instead you find that even the revolutions are run by the CIA these days, and all the drugs are in the hands of Harvard Business School Graduates who wear Vuarnets...

Author: By Rutger Fury, | Title: SOUND OF FURY | 2/7/1987 | See Source »

...brief blackout skits that verge on surreal slapstick; he creates a milieu more than he mounts a debate. Like a cinematic montage, the story jumps from Raskolnikov to his family, his destitute neighbors, a deranged friend caught in a suicidal religious ecstasy and, occasionally, the inquisitor who seeks to extract Raskolnikov's confession. This structure is meant to evoke Raskolnikov's disconnection: only with a dead friend's daughter Sonya (Kate Fuglei) does he show tenderness...

Author: /time Magazine | Title: Theater: Soviet Exile's Blazing Debut | 1/19/1987 | See Source »

Lyubimov was inspired to stage his original Moscow version, he says, by reading the essays of schoolchildren, an extract from one of which provides the coda to the show: "So, Raskolnikov was right to murder the old woman. Too bad he got caught." In Lyubimov's view, the child was echoing the amoral views of a teacher and, in turn, the state. An attentive father who travels everywhere accompanied by his second wife Katya, a Hungarian, and son Piotr, 7, Lyubimov will next mount an adaptation of Bulgakov's The Master and Margarita at the American Repertory Theater at Harvard...

Author: /time Magazine | Title: Theater: Soviet Exile's Blazing Debut | 1/19/1987 | See Source »

According to Steven Rosenberg, a senior analyst with Paul Kagan Associates, an investment firm based in Carmel, Calif., the key to any studio's continuing movie dominance is its ability to extract follow-up value from big hits. There, Mancuso and Paramount are acknowledged masters; one Paramount executive calls the studio's Star Trek rights a "family treasure." Mancuso is encouraging Paramount to sign exclusive contracts with proven money winners like Comedian Murphy, and to promote greater in-house production. Says he: "You can't leave the fortunes of the studio to outside forces." Concurs a former Paramount executive...

Author: /time Magazine | Title: Frank Mancuso: Hollywood's Top Gun | 12/29/1986 | See Source »

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