Word: extravaganza
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...Bette's show follows the five-year run of Celine Dion's A New Day. That elephantine extravaganza, staged by ex-Cirque du Soleil director Franco Dragone, submerged the singer in gigantic sets and CGI effusions: rolling clouds, meteor showers, shooting stars. Midler jokes that she has come to "the only city that could teach Kraft about cheese" because of "the sh-tload of money they're payin' me." There's plenty of money lavished on the production too: $10 million (as she mentions three or four times during the evening), and it boasts some luscious videographic effects...
...that she's exhausted, yet in her sharp 90-min. act, she seems ageless and indefatigable--strutting, singing, hopping around in a fish tail, cavorting under a 3,200-lb. (1,450 kg) headdress of pink feathers. Showgirl, a slick $10 million production, replaces Céline Dion's elephantine extravaganza with the unique Midler mix: sass, heart and a show-biz salesmanship that's been irresistible since her early days as an icon for gay men only. "Thirty years ago, my audiences were on drugs," she says. "Now they're on medication." Her fans have aged, but Midler is still...
...eloquent shrugs. It's also a way for Michel Gondry, the French writer-director who worked with Charlie Kaufman on the Jim Carrey time-slip comedy Eternal Sunshine of the Spotless Mind, to bang home his point that all moviemaking, whether a tiny indie film or a Michael Bay extravaganza, are communal enterprises. The whole town not only lines up to rent Mike and Jerry's faux films, they join in their production, serving as extras and gofers...
...strategy to wait, and wait...and wait until later this month and the G.O.P. primary in Florida, where thousands of transplanted New Yorkers will, at least in theory, rescue him from obscurity. Then, Giuliani's team believes, he can do well in the 20-state February 5 "Super Tuesday" extravaganza because no one will have the money to compete everywhere...
...Manhattan-Christmas industrial complex dates back at least three-quarters of a century. Seventy-five years ago this week, Radio City Music Hall opened, and the following December this grand movie-and-vaudeville house unveiled its first Christmas extravaganza, staged between showings of a film. At first there were just two scenes: the March of the Wooden Soldiers, featuring the dancing corps of Rockettes, and an elaborate retelling of the Nativity story and the journey of the Magi. (The numbers were designed by Vincente Minnelli and directed by Russell Markert, who imported the Rockettes from Missouri.) The Music Hall shut...