Word: eyck
(lookup in dictionary)
(lookup stats)
Dates: all
Sort By: most recent first
(reverse)
...vast majority of Colescott's work is incredibly varied and can only be linked in small groups. He is probably best known for his series of appropriations of other painters' works, including a Courbet, a Van Eyck, a Vermeer and a Van Gogh. In these he often changed the race of the figures or added captions and altered the size of the piece. He produced a few works in the Abstract Expressionist vein, which focused on the significance of color and gesture. He employed a cartoon style to address political issues. Among other politically-motivated works, Colescott discussed a painting...
...today's art world, a place without living culture heroes, you can't even imagine such a protean monster arising. His output was vast. This is not a virtue in itself--only a few paintings by Vermeer survive, and fewer still by the brothers Van Eyck, but they are as firmly lodged in history as Picasso ever was or will be. Still, Picasso's oeuvre filled the world, and he left permanent marks on every discipline he entered. His work expanded fractally, one image breeding new clusters of others, right up to his death...
...walls of the Flemish section are a gray-mauve that curators describe as plum but less charitable observers call degueulis d'ivrogne (loosely translated as regurgitated wine). Here the magnificent Flemish collection, featuring works of Van Eyck, Van Dyck and Bruegel, ultimately prevails. And so does the ingenuity of Pei's layouts, which is evident throughout the painting galleries. For Poussin, Pei designed a special octagonal room to show off the famous Seasons series. And for the 24 oversize Rubenses commissioned by Marie de Medicis in the 1620s, Pei designed what is the stunning centerpiece of the Flemish section...
...idea that a portrait should be the "mirror of the soul" as well as a formal utterance about appearance and rank was not born with Titian; Leonardo, Botticelli, Durer and Van Eyck were all his elders, and in his youth he worked with Giorgione, the most shadowed and inward looking of Venetian quattrocento painters, on the fresco decorations of the Fondaco dei Tedeschi. Giorgione's ambition to paint people in the act of thinking, to invent signs for internal reflection as well as external show, was carried forward by Titian into works such as the Louvre's Man with...
Cranach did it, Van Eyck did it, even Hans Pleydenwurff did it. But nobody drew the birds, bees and flowers better than Albrecht Durer, the German master who died in 1528, leaving a legacy of nature illustrations that have been admired (and copied by forgers) for centuries. Albrecht Durer and the Animal and Plant Studies of the Renaissance by Fritz Koreny (New York Graphic Society; 278 pages; $75), compares such renowned works of botanical and zoological observation as Hare and The Large Piece of Turf with their imitations. The result is a scholarly view of authentication problems in 16th century...