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...Charles the Bold, who by marriage and conquest so augmented their insignificant duchy that they came to be known as "the Great Dukes of the Occident." In Bruges, Venetians and Genoese, Danes and Swedes met to trade, and from all over the Low Countries great painters came-Jan van Eyck, Petrus Christus, Hans Memling, Gerard David, and the three artists known today only as the masters of Flémalle, of the St. Ursula legend, and of the Tiburtine Sibyl...

Author: /time Magazine | Title: Art: THE GLORY OF FLANDERS--AND DETROIT | 9/19/1960 | See Source »

...Bruges-Detroit show starts with Jan van Eyck, who was court painter and varlet de chambre to Philip the Good, and did as much as any man to change the history of painting...

Author: /time Magazine | Title: Art: THE GLORY OF FLANDERS--AND DETROIT | 9/19/1960 | See Source »

...restoring" art masterpieces. They can take a brown, wrinkled, flaking canvas and turn it into a picture that looks like new. They can also turn Rembrandt's Night Watch into a Day Watch, expose an extra pair of ears on the Van Eyck brothers' Adoration of the Lamb, or transform Brueghel's Hunters in the Snow from a haunting evocation of winter dusk into a Grandma Moses-type picture of sparkling noontime cheer. The restorer's results are unquestionably dramatic, but is the drama comedy or tragedy...

Author: /time Magazine | Title: Art: The Restoration Drama | 4/4/1960 | See Source »

...trapped pigeon, caught in the dual grip of a possessive husband and a plot as paper-thin as strudel crust. Her husband (O. E. Hasse), a vain, autocratic man of means, sees Lilli as a beautiful confirmation of his success. Along comes a handsome German-American playwright (Peter Van Eyck), who reminds Lilli of her former glory as a great actress, persuades her to star in his new drama about a nun who gets raped. Her psychiatrist decides that "somewhere in your mind there's a conflict," but everything is resolved when 1) Lilli has a therapeutic narcosis behind...

Author: /time Magazine | Title: Cinema: The New Pictures, Sep. 21, 1959 | 9/21/1959 | See Source »

Manhattan's Metropolitan Museum will inherit the show Jan. 29. In the exhibition catalogue, the Metropolitan's Albert Ten Eyck Gardner advances a theory on the evolution of Homer's style that might have startled Henry James. Realist though Homer is. says Gardner, he probably got his great inspiration from the same source that sparked the School of Paris: Japanese prints. Homer lived in Paris in 1867, must have been aware of the fashion for things Japanese, which had already led Manet to simplify, sharpen and contract his pictured scenes. Homer inwardly resolved to do the same...

Author: /time Magazine | Title: Art: REALIZING THE REAL | 12/1/1958 | See Source »

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