Search Details

Word: eye (lookup in dictionary) (lookup stats)
Dates: during 1930-1939
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Usage:

...reorganization of NRA, which has been the subject of so many conferences and memoranda between us, is becoming momentarily more urgent. We are in agreement upon the general form of reorganization and I do hope you will see eye-to-eye with me on the subject of my resigning from a job which, as reorganized, seems altogether superfluous...

Author: /time Magazine | Title: RECOVERY: Monolith Into Pyramid | 10/8/1934 | See Source »

...Bible and the remount depot, the voluble warrior urged his followers not to resign through "sentimental foolishness," thanked them for their devotion. Said he: "I predicted this end from the very beginning. Red fire at first, dead cats and oblivion at the end." There was not a dry eye in the house, including the General's when he concluded: "Goodby. God bless...

Author: /time Magazine | Title: RECOVERY: Monolith Into Pyramid | 10/8/1934 | See Source »

Benito Mussolini loves maps. But when his eye leaves Italy, it finds only Libya, Eritrea and Italian Somaliland in Africa for Italian colonies. It is Asia, the East, that gives him the stuff for vast, cloudy dreams. What Japan has done in Manchuria, what France is doing in Yunnan, Italy may well do some day in the Orient...

Author: /time Magazine | Title: ITALY: Map Dreams | 10/8/1934 | See Source »

Well cast and well photographed, Our Daily Bread is emotional rather than factual, directed by Vidor with a frequent eye to such devices as a shot of Mary knitting to show goodness, a shot of the wench playing a blues tune to show badness. Best sequence is the final one, done in the Russian manner. In it the community works furiously against time to dig an irrigation ditch from the river to their fields. Of this Director Vidor says: "I tried to develop it like a ballet. I aimed to get the effect of mounting drama through the movements...

Author: /time Magazine | Title: Cinema: The New Pictures: Oct. 8, 1934 | 10/8/1934 | See Source »

...across the sea to break up the monotony of a steady fare of Hollywood banalities, which restores our faith and interest in motion pictures. Such a picture is "The Blue Light" now playing at the Fine Arts Theatre, the work of Fraulein Leni Riefenstahl, now much in the public eye because of her intimate friendship with Der Fuehrer...

Author: By M. K. R., | Title: THE CRIMSON PLAYGOER | 10/6/1934 | See Source »

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