Word: eye
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Dates: during 1960-1969
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Root of Humanism. Far more substantial differences showed up in Costa's new program, which he announced to the country. Castello Branco ran Brazil with graphs, charts and a cold eye for results; Costa hopes to "humanize" the revolution that first put the military into power in 1964. "Social humanism," Costa told Brazilians last week, "will be the most profound root of my government." Gently divorcing himself from the harsh economic and social controls that made Castello Branco un popular, Costa promised more homes, hospitals, schools and "comforts" for the poor, and a broad program of public works...
...Fairleigh Dickinson, in Rutherford, N.J., the spy was Mrs. Linda Hobbie, an attractive 20-year-old girl enrolled in film arts, biology and oilpainting classes to keep an eye on a coed once arrested for a narcotics vio lation. Hired by county police, Mrs. Hobbie soon discovered that she liked the suspected pusher too well to report her, blew her cover by telling all to one of her profs...
Once, successful Civil War memento collectors needed only a vague knowledge of where skirmishes had been fought and a sharp eye for rusty buckles, buttons and musket balls that lay for the taking in the battlefield grass. No more. Since the centennial battlere-enactment craze in the early '60s, the search for souvenirs has come to re quire 1) the battlefield instincts of a field commander, 2) a shovel, 3) a strong back, 4) a talent for telling lies with a straight face, 5) an ability to fend off enraged farmers, 6) a snakebite kit and, most important...
...other hand, is of another breed; the movement West, triggered by Greeley, came after the settlers in the wagon trains, and brought with it well-established Eastern customs. To Ford, Stoddard represents blind progress. Stoddard's first confrontation with Doniphon reveals absolutely no understanding between them; they eye each other as if the other were a strange animal...
...lines, and improvised bits of business for the Burtons that never took place in the Globe's wooden O. Despite such wild tampering, most of the words and-more important -all of the spirit of the play have been maintained. To make sure that the viewer's eye never rests long enough to get restive, Zeffirelli builds the production against a background of burnt sienna, vermilion and viridian-the splashiest colors of the Renaissance palette. He also keeps Taylor and Burton front and center just long enough: their larger-than-life personalities dominate the screen without drowning...