Word: eye
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Dates: during 1960-1969
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YELLOW SUBMARINE. The Beatles appear in cartoon form as the stars of this eclectic animated film about a voyage to Pepperland on a yellow submarine. The real star of the trip, however, is Animator Heinz Edelmann, whose visual puns and graphic artistry dazzle the eye...
...hear artists tell it, art these days is almost anything that strikes the eye. Framed empty space, neon bulbs, rooms with booming loudspeakers, a deliberately ill-tuned radio set-all qualify. But one kind of art that has been around quite a while has been all but ignored-animated film. Though now sophisticated in its techniques and clearly unlimited in its subject range, animation as an art form has been largely confined to exercises in television commercials, kiddie cartoons, and a few arty shorts that are of the kind that are only noticed at film festivals...
...Dempsey described the first round: "I hit him with a left hook on his cheek bone and temple. It busted his eye open and down he went, shaking the ring like an earthquake. I felt like I wanted to get down there on the deck on top of him and beat him some more. But then he started to get up. I stood right over him and beat him to the canvas again. And again. And again. These were the rules in those days...
Death to All. Under Rehse's cold eye, leniency was rarely a problem. He sat in judgment of a schizophrenic boy who wrote from a juvenile asylum requesting "weapons, munitions, cameras, explosives and a diamond ring" to overthrow the Nazi regime; of a Catholic priest who dispatched an appeal for a "humane peace" to a Swedish bishop; of an internationally famous biologist who told a friend that he expected the Third Reich to crumble. All were condemned to death. To be sure, Rehse served only as a member on the bench of one of Hitler's most notorious...
...like dollhouses, have doors that open and windows to peer through into magical interiors where tiny figures go about their unknown business. But wait. Take the centerpiece of a comprehensive show of Westermann's work mounted at the Los Angeles County Museum. Its title is the first eye opener: Memorial to the Idea of Man If He Was an Idea. The figure's mouth is an angry gap, its nose vaguely phallic, its ears two wooden plugs, its body a cupboard. When a viewer (avoiding the museum's watchful guard) opens the cupboard door, he finds...