Word: eye
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Dates: during 1970-1979
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...another and everyone else around; dour Secret Service agents in double-knit suits mumbling to one another through microphones hidden up their sleeves. At the center of the hubbub, surrounded by a phalanx of plainclothesmen, was "the Man"-bald, stocky and distinguished by the world's most famous eye patch...
...director's attention. When critics can only muster compliments such as "ravishing to look at" and "visually stunning," something is missing. Russell's Valentino is a case in point. The shots of Nureyev working on the California desert during the filming of The Sheik provide delights for the eye, as do the many crowd scenes. But the audience should be able to expect more from a director with Russell's experience than artsy effects with the camera. Russell never seems conscious of this obligation to the audience. The surface appearance of Valentino copies Russell's energies, at some loss...
...general in Vietnam, "Old Hell and Hardtack Mackenzie," accidentally shoots down an angel while blasting Viet Cong with his machine gun. Another tells of a hole that appears in the floor of a fourth-story apartment in Los Ahgeles, and how a sunlit pasture reaching as far as the eye can see appears on the floor below...
...Yanks and Dodgers continue their "Red-Eye" Series tonight at eight o'clock. Burt Hooton will chuck for the Bums while Catfish Hunter will take the bill for the Bombers...
...exists to be brought to his senses in Tartuffe is Orgon (Stefan Gierasch), a bluff, well-to-do bourgeois who courts innocence by association. His mind's eye is so befogged that he persistently mistakes sanctimoniousness for sanctity, guile for goodness. His chosen saint in residence, Tartuffe (John Wood), is a monster of false piety, a dark prince of humbug and hypocrisy. More significantly, he is the stinking essence of the world's wisdom: that a crime is no crime unless one gets caught...