Word: eye
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Dates: during 1970-1979
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FRIDAY: Marlowe. (1970) James Garner as Raymond Chandler's famed private eye in a missing-persons case involving an ice-pick murderer. CH.7. 9 p.m. Color. 2 hrs. In Concert. ABC--WBCN simulcast series features the Mahavishnu Orchestra, Al Green, Taj Mahal, Dr. Hook, and Eric Weissberg. CH.5. 11:30 p.m. Color...
Epps says that he also keeps an eye on UHS and its accessibility to students. After the death of Thomas Pickering '74 in a Sever Hall economics class last term, he helped set up new procedures which permit a quicker response to campus medical emergencies. In future emergencies, no University policeman will be needed to evaluate the situation before a physician is dispatched...
...thought of wine and grinned to herself. The world is a broken Ripple bottle. Yes, yes, a ripped apart Ripple bottle. Some still glistening fragment attracted her eye and absorbed her. Timeless. Rhythm of timelessness; timeless ocean waves. Her endless drift of unconcerned thinking. A sailing without a goal, or known beginning. A hum started out of her sea-faring self; a song of bright, free ships...
...thrown out three-quarters of Chandler's plot, as well as detective Philip Marlowe's hard-boiled mystique--his pithy talk and polish, and his Sir Galahad morality. Altman's film is basically a wallow in the atmosphere of Los Angeles today. Altman's virtues are a good eye and some talent with actors, as well as a healthy distaste for the Hollywood culture which surrounds him. But his flaws are fatal: he doesn't know what makes a plot hold water, and can't give his characters enough of a past to make them interesting...
...SECOND WEEK of the exhibition Sam Unger displayed seven studies of hands. Unger has photographed human hands as sculpture--none of the arrangements are gestures; all are disembodied. In most of his pictures, Unger successfully maintains the tension of treating a normally expressive subject with the eye of an architect; the few shots in which the position of the hands is neither gesture nor arresting form are disappointing. The communication of the texture--both of skin and of darkness--in these predominantly black photographs is impeccable...