Word: eye
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Dates: during 1970-1979
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...Mary Ann auctions cattle and keeps the buyers happy by filling cowpens with stoned-out, naked teen-age girls, who are also up for sale. "I give this country what it wants," Mary Ann gloats. "Dope and flesh." Devlin stalks past the beef and the broads without batting an eye and confronts Mary...
Some listeners may be uneasy because Taverner is not so much a traditional opera as a mélange of spinning theatrical events that dazzle the eye and rivet the ear. Musically, when Davies is not weaving in themes from Taverner, his treatment of the usual choirs of the orchestra has enough richness and fireworks (ignited in masterly fashion by Conductor Edward Downes) to placate the most avid devotees of Richard Strauss. Davies' hair-raising special effects-massed percussion, squealing clarinets, even the grating of a knife grinder-should be enough to titillate John Cage...
...Tokyo." Setting the mood for each episode with similarly fitting images, Ozu unrolls a cinematic parchment of Japanese prints, the black and white photography of the film heightening its formal links to traditional Japanese art. Each interior, every landscape shot, whether bleak or beautiful, instills respect for an eye so fine that it can turn the view of a train rushing through the industrial wastes of Tokyo into a sight as pleasing as a misty seaside mountainscape. Ozu has often been criticized for sets that are too neat, tidy and unnatural, but his love for the smallest details reveal...
SHAFT'S BIG SCORE brings back the black private eye who divides his time almost equally between brawls and bedrooms. Here, one of Shaft's fillies has a brother mixed up in the numbers racket. When the brother's storefront insurance office is bombed, the police find his body in the debris but no trace of the $250,000 that he and his partner had stashed in the company safe. Shaft starts to track the money down, a process that eventually involves him with some shady types from Downtown, some anxious cops and a bevy of slinky...
...hundreds of office blocks that have shot up in postwar London, few are as tall, as eye-catching or as potentially profitable as Harry Hyams' Centre Point. Or as empty. In the seven years since the 34-story building was completed on St. Giles Circus at the end of bustling Oxford Street, it has not acquired a single tenant. Many Londoners have charged that Hyams is purposely keeping it unoccupied to cash in later on runaway rent rises...