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Word: eye (lookup in dictionary) (lookup stats)
Dates: during 1990-1999
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Usage:

Although they are unsure about what the event means for the school, the University's senior administration officials agree that UMass-Boston is rarely in the public eye...

Author: By Richard M. Burnes, SPECIAL TO THE CRIMSON | Title: Clinton All Smiles During Boston Trip | 2/20/1997 | See Source »

...company's potential to match buyers and sellers is what caught Diller's eye. Diller and Tomlin first worked together at QVC; Diller was the chairman, Tomlin a high-tech executive who had phoned looking for a job after reading how much Diller loved his Powerbook. Both left QVC in the fall of 1994; a few months later, Diller recalls, Tomlin called him again: "'I've found these two guys in a garage...

Author: /time Magazine | Title: THE WEB'S MIDDLEMAN | 2/17/1997 | See Source »

...manages to present a vast amount of information in a very logical sequence, making good use of the relatively small and awkward space. But while it gives the viewer a glimpse of Botticelli's life and times, this is often at the expense of drawing the viewer's eye from the artwork. The text, well-written and informative, tends to capture the viewer's eye more than the paintings themselves...

Author: By Sebastian A. Bentkowski, | Title: Rearrangement Does Not a Renaissance Make | 2/13/1997 | See Source »

...disappointing. The exhibit brings together five paintings by Botticelli himself, three from his workshop and four prints derived from his designs. Sadly, the attempted contrast between Botticelli's early painting style and his style in the later years of his life is not readily apparent to the untrained eye...

Author: By Sebastian A. Bentkowski, | Title: Rearrangement Does Not a Renaissance Make | 2/13/1997 | See Source »

...paintings in the exhibition have been removed from their permanent places in other parts of the museum. Endowed with only the most essential information, these paintings and prints in their original places were a part of a composition, which, though anachronistic at times, was still pleasing to the eye. All the charm of these works is gone in the tiny gallery, where the twelve paintings and prints are presented in sharp contrast to the unforgiving whiteness of the walls. They are now subjected to the cold eye of the observer, who must suppress imagination and base interpretation solely...

Author: By Sebastian A. Bentkowski, | Title: Rearrangement Does Not a Renaissance Make | 2/13/1997 | See Source »

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