Search Details

Word: eye (lookup in dictionary) (lookup stats)
Dates: during 1990-1999
Sort By: most recent first (reverse)


Usage:

...ended up being the right call. It would have been far safer for him to go for the field goal. Anyone else would have done it, and if Giampaolo had missed it, the blame would have rested fully on the kicker's shoulders. Murphy took the bull's eye off number 10 and put it on himself...

Author: By Bryan Lee, CRIMSON STAFF WRITER | Title: BLee-ve It! | 10/25/1999 | See Source »

...Still, it must be said, John Horatio Malkovich quickly becomes the heart of the film. We see the world through his eyes, and feel a little bit of the charge the characters get from experiencing real life in Malkovich's brain. The camera-eye gimmick goes on just long enough that we don't think that we'll really get to see John Malkovich himself, until all of a sudden he enters as another insane player in this mad roundelay. He all but overwhelms the movie with the question mark of his celebrity and the eerie charisma...

Author: By Jared S. White, CRIMSON STAFF WRITER | Title: Insane in the Brain | 10/22/1999 | See Source »

...portfolio of make-up samples on a recent afternoon, a bottle of beige nail enamel caught her eye...

Author: By Elizabeth A. Gudrais, CRIMSON STAFF WRITER | Title: Made Up in Mary Kay | 10/22/1999 | See Source »

...when he's at his best, Shepard can pull tricks of which Mamet is incapable. His characters, unlike Mamet's tough-talkers, are willing to show their own vulnerability. They are desperate to do so in some cases. And this is where Kellerman's production shines. Kellerman has an eye for portraying human frailty, for capturing the looks and muffled breaths that mark us at our weakest moments. What is most amazing is that he can make these looks and breaths seem as powerful in the 500 seat mainstage theater as they did in the infinitely smaller...

Author: By David Kornhaber, | Title: Post-Script to Blackmail: Deceit and Regret in | 10/22/1999 | See Source »

...powerful tycoon with the face of an underwear model and the disposition of a shark. Charles has a wife. He also has a mistress named Amy (Campbell), an energetic, free-spirited artist who specializes in glass sculptures. Charles is the jealous type and he wants Oscar to keep an eye on Amy and make sure she stays out of trouble, mainly because he is under the impression that Oscar is gay. Oscar is straight, of course (are we laughing yet?), but he is forced to continue the ruse as he finds himself falling in love...

Author: By William Gienapp, CRIMSON STAFF WRITER | Title: You Know the Steps to This Tango | 10/22/1999 | See Source »

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